#when I was first coming up with the story idea I wanted it to be a video game

[arowyn-m]

Viktor's Sequence in S2's Opening, What It Symbolizes & What it Means for the Rest of S2

So Act I dropped and it's great—Lots of plot points to go over in the future—but for now I want to deep dive into some interesting things I noticed about the intro, particularly found in Viktor's portion of it.

The opening is full of interesting symbolism and representations of Arcane's characters in their clearest, "purest" form (pure as in lacking impurities, not as in morally pure).

There's a lot of neat tidbits hidden in the opening, but I particularly want to dive into Viktor's segment because i am biased as hell his shots have some potentially incredible depth to them that I'd like to dissect.

A lot of that potential comes from what exactly the mask represents, which I'm arguing is not a symbol of Viktor's Machine Herald identity.

Hear me out.

Starting off with his first shot: we see Viktor reaching for the mask. Instantly after he makes contact we cut to a shot of Viktor holding the mask and considering it. He even turns it a little as he looks at its face, as if he's not quite sure what it is.

These shots are telling the story of S1 Viktor's experimentation with the Hexcore, particularly the research Viktor conducted AFTER his blood mixed with it...and yet, the mask does not represent the Hexcore itself, so how can it be telling that story?

I've seen a lot of theories of what exactly is the catalyst of Hextech's corruption into the Anomaly, and the most popular one at the moment seems to be that Blood + Hextech + Abuse of Magic = Anomaly/Angry Arcane. This theory seems to stem from the fact that not only did the Hexcore react to Viktor's blood, but so also did the Hexgates themselves.

Corruption found on the base floor of the Hexgates. There's a ceiling to this room, so there's very little chance that this is literally where Viktor's blood landed, but I do think his blood's presence in the Hextech-charged room triggered a chain reaction with the rest of the Hexgate. We may even see this happen in a flashback.

So, assuming these intro shots are representative of the moment when Viktor reached out and touched the Hexcore, and later when he's examining it more closely/experimenting with it, why don't these shots represent the Hexcore itself?

Because Viktor isn't making a move to put on the mask. He's just looking at it, thinking about it, considering what it is. Viktor absolutely made a move to use the Hexcore in S1—and killed his assistant in the process.

So what is he "looking" at?

I believe the mask is representative of the Arcane itself, and, by extension, its hold on Viktor's mind.

He's examined the Arcane and played with its properties—unsure of what to really make of it, but he never had the chance to take on the full potential of it. Once Sky died he realized that something was very wrong. Maybe he didn't realize how wrong, but he definitely concluded that this form of magic needed to be destroyed—thus the "Promise me" scene.

If the Blood + Hextech + Magic Overuse = the Arcane lashing out theory is true...then the moment that Viktor's blood mixes with the Hexcore is the moment it crosses the line from a mindless device to a tool of the Arcane.

This idea is only strengthened by Viktor's next shot—the mask being held to his face.

Viktor himself is not holding the mask—Jayce is. This shot depicts how Jayce used the Hexcore to save Viktor's life—very much against Viktor's will on multiple fronts—replacing Viktor's identity with a false one.

Jayce is putting the mask of the Arcane onto Viktor's face, hiding his true features, his emotions, his personality. The mask wears a flat, serene expression, reflecting Viktor's forcibly suppressed emotions in this Act—as we see with how Viktor interacted with Jayce when he woke up. As cathartic as that scene may have been, Vik was acting wildly out of character, and I sincerely think that was on purpose.

It's difficult to tell in this lighting but Vik's eyes are also their typical golden-amber in this shot. That would only make sense if this is symbolic of Viktor's true character being concealed by a false identity. It would make no sense to use Vik's amber eyes in a sequence meant to symbolize his new identity being concealed by the literal Machine Herald mask.

The final shot is not much different from the last one, but really drives home this comparison and the idea that the mask represents the Arcane, not Viktor's MH arc. The same mask is worn by numerous others, all slowly fading into view.

These faceless people are the Church of the Gloriously Evolved, all represented by the same exact mask that Viktor is poised to take on.

And yet, the mask is never fully put onto Viktor's face, unlike Viktor's followers. He can still back away. He can still hesitate.

So what does this all mean for S2?

It means that this ^ is not Viktor. This is a man either heavily under the influence of (or being fully controlled by) the Arcane.

And it also means that this trancelike state is not Viktor's endgame. I sincerely doubt this husk of who Viktor used to be will end up being the calculating antihero that is the Machine Herald.

Another point for the theory that Viktor's mental humanity will come back to him is the fact that Vik's in-game MH mask has golden eyes, mirroring Viktor's real eyes, not the lifeless—albeit shifting—gray of Viktor's current irises. Assuming Riot will be keeping this iconic part of Vik's design, that signals a change back from the emotionless puppet Viktor seems to be right now.

But I suppose we'll know for certain by the finale.

[beroebluejeans]

One of the many things I love about the Murderbot books is how the first one ends, with Mensah and the Preservation team thrilled because they have rescued Murderbot who can now go home with them and live happily ever after, while Murderbot is like, uhhh I appreciate it but your plan for me is not something I want. Then, when Murderbot comes back into their lives, the team is mad at it for leaving without telling them, but they also realize they screwed up by making a bunch of assumptions about what Murderbot would want.

It is very frustrating to have someone offer you “help” when their idea of “help” pushes you into a situation they have chosen for you without understanding your actual wants, needs, or abilities. Sometimes, when you aren’t sufficiently grateful or enthusiastic about the situation chosen for you, or heaven forbid, you point out problems with it, they get ANGRY.

I like stories about how helping a person means paying attention to what they actually want and need instead of assuming you can decide that for them because I love projecting my own bullshit onto fictional characters

[itsa-me-lily]

God I love this au, it's feeding me so good today. The last one with the part about only one bedroom has me thinking about a sick reader, the gross kind of sick where you're sweaty and wheezy and snotty, and the fact that if it were anyone else Simon would be quarantining them. But because it's his spouse, he wakes up to you nasally wheezing and mouth breathing while sprawled across him, and all he can think about is when you're due for your next round of medicine and if he needs to buy more tissues.

Sometimes love comes coated in mucus, and is reciprocated with an artificial cherry taste. Also do the guinea pigs have names and what do they look like?

I'm dying. This is the first ever ask I've ever gotten (that I recall) and I'm going to pass away. Also "sometimes love comes coated in mucus, and is reciprocated with an artificial cherry taste" that is such a good line, I'm apologizing in advance if I steal it.

Also warning for content of being sick, this is based off my last bout of plague.

Also Also Here's the Masterlist

Bedsharing in general does not happen at first. (Now I want to percolate an idea about sharing the bed for the first time). You're way to use to having your own bed that sharing with someone means you're not sleeping easily and I think Simon would rather sleep with the guinea pigs in their cage than have another human being that close to him when he sleeps. (This was also not something he initially thought about when being told a spouse was to be picked)

So what's the solution? Obviously bunk beds! Kind of, sorta...okay not really but the look on Simon's face when you had suggested getting bunk beds had been entertaining. Who knew so much indignation could come through a medical mask. Really his eyebrows did so much talking.

With the dream of bunkbeds dashed, the next best solution was either two twin beds crammed into the bedroom with a bedside's worth of space between them, or a pull out couch. You managed to find a couch same day that didn't terribly clash with the artwork you have yet to hang up.

You two actually manage to come up with a schedule for who slept where. Obviously you'd get the bed when Simon was deployed, made no sense for you not to. And when he was home the bed was all his unless he was having a night that he knew he wasn't going to trust a deadbolt to keep monsters at bay. Then he made himself comfortable, TV playing low until he managed a few hours in the early morning before you try to leave a silently as you can for work.

(Funny thing, even if you aren't sharing a bed traditionally, you both most certainly have your own sides, along with bed stands that told two different stories)

The first time you get sick is when Simon is technically deployed. Well actually, the day he returns is the day you spike a 101.8 fever and work forces you to go home so you don't become a walking petri dish and expose the college kids that come into your office.

Once you're home you appease the little beasts demanding some sort of vegetal boon, change into the rattiest clothes you have, and then huddle under a staggering amount of blankets that have made their home on your bed. (Simon may have side eyed them when you first set them out, but you've seen the mountain he creates under them, you knew the magic of weighted blankets)

Sleep isn't peaceful, you hadn't broken out the Nyquil quite yet, but you do manage to drift off for a few hours. And then the coughing starts. It's the kind that's a bitch to deal with, dry and pushing your ribs to the limit with how often they can expand and contract. By the time Simon comes home you've steamed yourself twice, taken only a smidge over the recommended amount of cough suppressant, and slathered yourself with Vic's Vaporub. All in all, you were properly miserable.

You're in the kitchen, staring into the abyss of your over-steeping tea as if it will magically make you feel better if you only sell your soul to it, really a tempting offer, when the wheeks of the pigs announce that another person they know has arrived.

If Simon wasn't clued in that something was off at seeing you home before the end of your work day, the pungent smell of menthol would have been a dead give away. You're still communing with your tea when he knocks against the wall, pulling you out of the deal for your soul to meet him with bleary eyes and a flushed face.

You croak out a greeting that makes Simon wince in sympathy, though that's about all he really does. Simon doesn't really do pleasantries and doting probably wouldn't be the first word people use to describe him, so with your brain function reduced by an overflow of mucus and fever, the kitchen was rather silent.

Until you started coughing, face buried into the crook of your elbow to try to keep your contagion to a minimum and back bowing to nearly double you over. That drives Simon to action, coming to try to keep you up incase you collapse, grabbing your free arm.

When you feel him touch you, you try to pull away, shaking your head and finally finishing your bout, gasping a little as you try to daunting task of breathing and speaking to dissuade him from getting close lest he catches what you have. He clearly wasn't persuaded, hands clenching and unclenching like he simply wanted to pick you up and put you...somewhere.

How exactly Simon Riley would take care of you, he didn't know but he'd be damned sure to at least try. He'd been left to fend for himself while sick before and he didn't like the idea of you going through that. When it was clear that he wasn't going to just leave you to your suffering you relented enough to try to reach a compromise; if he'd be alright watching the pigs while you were sick that would be more useful than a nursemaid while you camped out on the couch.

That...that was something Simon could do. He'd watched how you took care of the boys, surely this was something he could do. And then his brain caught up to the rest of what you had said. There was no way he was going to let you sleep on some pull out couch, as nice as it was. Being Sick meant sleeping in a proper bed, on a mattress that didn't spend it's days folded up.

You tried to insist it was alright but he wouldn't listen to a word of it. Instead he practically herded you back to the bedroom, ignoring your murmurs of your abandoned hot beverage. He didn't lift you to plop you onto the bed itself but it was a near thing. He had to bribe you with the promise of a proper cup of tea for you to even lay your head on your pillow, eyes already heavy with the need for sleep. By the time he had actually made a cup you were out for the count, nasally mucus filled snores letting him know you hadn't perished in the time it took him.

The next few days were filled with mucus, the attempted escape of your lungs via coughing fits, and more Vics than the human body should be exposed to. And the entire time you insisted that you could fend for yourself. Simon didn't push to play nurse, but your tissues never ran out, a dose of medication was always ready on your bedside, and a warm cup of tea stood waiting for you after each nap, like a solider committed to his guard.

Edit;

I'm going to make a separate post for the guinea pigs, because honestly I'm torn on if they're based on my guinea pigs I used to have, or guinea pigs I'd want to have in the future

[strangebiology]

Related funny story, that kind of goes off on bad SEO practices:

A friend of mine is on that kick where people try to get rich from online means...with which, let's say, I don't personally agree (like dropshipping, selling AI-written books etc.) She suggested that I make a website for my upcoming book, Carcass: On the Afterlives of Animal Bodies. (I just have this page on my website, which is not great, although the corresponding Facebook page has 27k followers and the Instagram has 17k.) My friend said I should use this tool that suggests what people are searching for, to get those keywords on my page and maximize sales.

The book isn't out yet so I'm only kind of thinking about these things, and I'm not against the idea of maximizing one's audience! I 100% believe in digital techniques to get your product in the hands of the people who want it. I would love, once it's out, for my book Carcass to be one of the first things people see and buy when they Google things like:

Book about dead animals

Nonfiction skeleton book

What to read after Mary Roach's "Stiff"

Book by TikToker who finds bones

Gifts for people who like Oddities

Learn about animal remains

What happens to animals after they die

Morbid biology book

So, hey, when the book comes out, I wouldn't be opposed to learning how to get it up in the rankings on those searches, if there is actually a decent way to do that, with decent ROI, that has at least some demonstrated success among authors similar to myself.

However, my friend said that I should make a page with the following search terms, as, according to her wise SEO software, these are the other things people tend to search when searching "Carcass:"

Reek of Putrefaction

Swansong

Torn Arteries

Necrotism

Y'all. Those are albums by the band "Carcass." Even if there is some overlap in audience, nearly no one looking for those things is going to be happy with or click on results for a book about the science of dead animals. So the book is not gonna make it to the first page of Google results for those things.

I bet it would even harm your overall SEO to try to get it categorized wrongly. I believe that tagging your non-kitten content with "#kittens" hurts your overall rankings and viewership because anyone searching #kittens is scrolling right past your non-kitten fanart or whatever, signaling to platforms that your content must be bad if it makes so much of the audience want to scroll away. I don't think algorithms love when people try to cheat them, and the users sure don't!

i really enjoy looking through reddit threads related to death metal because the replies sound like a groupchat for cartoon villains

[pinkthrone445]

Do you have ao3? Also can you continue my wife? 🥺 I almost cried but i dont know in which part. If it's because of the story or because it's unfinished or i got left hanging. But Great work though 👏

Hiii! I don't have ao3, my girlfriend explained to me what it was because I had no idea honestly, I was even researching a little of it, but I prefer more tumblr because I feel it more personal.

Thank you for the comment, I really love this kind of interaction 🥺✨

-My wife- Part 2

Part 1

Pairing: Agatha Harkness x Reader-Agatha Harkness x Rio

Gender:soft, hurt

Warnings: insults and mention of death. Spoilers from the series.

Summary: after loosing your wife, you beg the witch to take you to the road to find her. But with no hope of finding her, you want to come back home.

You sighed looking at the notebook in your hands, since you had been sent to do a report on the hex when it started expanding and you got trapped inside, that was going to be your great opportunity to do your great report and go famous on the news side, but since Wanda retired from the city and released everyone from her control, you no longer had your main source or your main character and it was more difficult to make the story happen.

Frustrated by not knowing how to follow your report, you put your notebook in your bag and continued with your grocery shopping

-"Hello... Did you find everything you needed?" - a kind lady asked you from the cash register while you put your items on the band. You looked up and she smiled, she had a delicate but mischievous smile and her light eyes sparked with the stores lights. You squinted your eyes to read her name tag since you were not using your glasses. "Agnnes" a sweet name

-"Y-yes" - for some reason your voice trembled-"Thank you... Can you add some gum please?" - You didn't knew why but you made your voice sweeter than how you usually talked and she nodded.

When you finished paying, you went to where you were staying to eat the junk food and the chips you bought and try to keep writing your notes, but not matter how many times you checked your purse or the bags, you couldn't find your notebook with all your important notes.

Before the tears of desesperation could fill your eyes, you started to retake your previous steps hoping to find it somewhere, but when you got to the store, the doors were already closed.

Defeated, you came back home, praying to God that your notebook would be there tomorrow.

The next day you went back to the store before they could open the doors to the people, your heart racing with nerves, yesterday's frustration still lingering on your body. Wanda was gone and if you lost that book all your first handed Intel would be gone too.

Your leg bounced on the concrete looking at the doors and your reflection on it. Agnes, the cashier from the day before stood beside you looking at the close doors

-"What are we looking for?" - she asked leaning closer to you and you turned to look at her

-"Agnes..."-her name sounded so sweet on your lips-"I lost something yesterday and I think is here... I hope is here" - Your voice sounded like a plea to the gods

-"What did you loose?" - she asked with worry on her eyes

-"A black notebook with some silly drawings on the cover... It has my notes for work and I had some important Intel on it and I need it"-You really sounded desperate

-"Intel on what?" - she asked curious

-"On some local news... You know, the kidnapping of the whole town and all... You don't remember if yesterday someone brought you a lost notebook?" - You looked into her eyes and she held her bag tighter

-"I shouldn't let people from the outside come in before we open, but follow me, let's check the lost and found" - she took your hand and pulled you to the side of the store. Her fingers where holding you tight and that made you smile a little, her hands were soft and they had the perfect size to hold yours.

She opened the side door and pulled you inside with her, looking for the office without letting you go.

When you finally got there, she pulled a box from the closet and put it on top of a desk, letting you search for the notebook without any luck.

She stared at your face, looking how your eyes got watery when you searched the box for the second time hoping that it would appear

-"Hey..."-she took your hand again stopping your search-"Let's check the store together..."-she whispered and you nodded. Even at the risk of losing her job if someone looked at the cameras and saw that she had let someone from outside the company in before they even opened, she helped you look for the notebook all over the store.

-"I think I got it!!"-she yelled and you ran towards her, when you saw her holding your notebook proudly on her hands, you let out a loud yelling of happiness and hugged her tightly

-"Oh my god! You are a life saver Agnes!" - You couldn't stop holding her and she laughed

-"How do you know my name? I've never told you... And I don't know yours either now that I think about it..."-she whispered and you let her go laughing a little embarrassed when she handle you the notebook

-"I saw it yesterday on your name tag... I'm (Y/N) by the way... Thank you so much for this..."-you looked at the book in your hand and she smiled

-"Lovely name..." - she whispered looking at your smile and you blushed a little under her intense gaze

-"Do you want want to go for a coffee? It's on me..."-you boldly offered and she smiled sadly

-"I have to work..."-she answered and you felt a little disappointed without knowing why

-"Rigth, of course, I'm sorry" - You tried to quickly excuse yourself

-"But my shift finish at 6... Maybe we can go for dinner?" - she asked and your smile grew

-"I would love that" - You wrote your number on a piece of paper from your notebook and gave it to her-"See you soon, thank you again!" - You smiled and let her go on with her day.

That first dinner was surprisingly good, the conversation seemed to have no end and she picked an excellent spot that you haven't seen before in that small town. She was sarcastic and funny, she knew how to flirt and she was charming and gorgeous and you couldn't get enough of her.

So after that nigth, after a couple days, you came back to her store to buy something only to have an excuse to see her again and talk to her. And then you repeatedly did the same until you started dating.

After a year together you got married and moved to Agnes' house, and a year after that, you started the process to have a baby together.

At some point along the way, you didn't know exactly when, you realized that she was a witch. If you connected the dots that she lived almost next door to where the scarlet witch was but still didn't remember her, or that some of her books at home were in Latin and talked about spells, or that she herself did a "joke" spell before you got pregnant and it worked... It seemed very obvious what she was...But she seemed like a nice witch.

You as a reporter got interested in her and started to study all the books that she had and all the story behind her, you found out that she was Agatha Harkness a powerful old witch, but for you she was your sweet and perfect Aggy.

When she started to get lost in her own mind, you used all the things you had learned to break her spell, and when your Aggy was lost behind the powerful Agatha Harkness, you used the song of the road that she used to sing to your belly, to try to bring her back again.

But now you were stuck on the stupid road with no hopes of bringing her back and no idea how to get back home.

You took your notebook with spells out of your pocket and you saw how it was filled with memories, notes, phrases and information all involving Agatha... All the things you investigated for her and now she couldn't even remember you or cared about you being pregnant or about what you have done for her. Rage and sadness filled your body and you throw the book away, seeing how it fell outside of the road and the dirt consumed it. You signed and sat on the dirt, desperate tears filled your eyes and and you hug your legs

-"I want to get out..."-you whispered between sobs

-On the other side of the road-

-"Hughhh, stop it!" - Agatha yelled grabbing her head, she didn't knew how, but every time you thought about something or remembered anything, she could feel it on her head too and that was really anoying to her, her mind was usually so calm and yours was so loud.

-"Agatha... Let's go bact to her, I think we need her, we've been walking for hours and we have no test ahead, clearly the road wants her with us..."-Lilia said worried about you being alone

-"The road is bullshit..."-she murmured between her teeth-"Let's sleep a little, we can keep going in a few hours" - she said firmly and nobody dared to say anything else about it because they were scared of making her more angry.

While everyone slept, Agatha thouth about you, specially about the baby, she didn't knew if you were telling the truth but she was intrigued about it, if she started a family with you, you must be really important to her, important enough to move on after all this time.

A glimpse of something shiny on the middle of the road cough her eyes, she stood up and grabbed a dusty notebook, your notebook. She recognized it immediately because you had it all the time in your hands. When she open it, the first thing she saw was a lyrics of a song, her original song that she used to sing with Nicky. The only other person that knew that song was her and Rio, but apparently she sang that song to you at some point and you save it on your notes.

She also saw full paragraphs about her, a drawing of her pin, notes about enchantments, a list of songs and baby names... Baby names, she remembered picking baby names with you a few days ago when the pregnancy test came out positive, she remembered you on the bathroom of the house, crying and hugging her.

She kept reading the book, it was like a diary about your and her life together, every important thing was inside it, even a few pictures, including ones of the wedding you had. You seemed so happy with her, nobody has never smiled so much because of her, and in all the pictures she was smiling even bigger looking at you. Her heart started clenching more each time she read a new page, she could feel your love in your notes, until she reached one in particular

"Even if you don't recognize me anymore and you don't remember the love you had for me, the love I have will cover for the both of us..."

She remember when you told her that when she tried to kick you out of the house and that made a clic on her head, Agatha remembered, finally she remembered everything.

How you met, that spark, your first time together, when you got married, when you decided to have the baby and how you took care of her when she started to loose it...

She remember how you stayed by her side always. Even when she no longer recognized you, and unless you followed the silly illusion her head was living in, she wasn't able to see or hear you either, you stayed. Even though she no longer knew who you were, you made a vow with her and wanted to take care of her while she was "sick", so you found a way to help her eat or shower. You pretended to be a waitress and tell her she was on a restaurant so she would eat her food and pretend to be a masseur on a spa so she would shower. Agatha remember that, remembered your care and your worry even when she treated you badly, she remembered your love for her...she remembered all that and fell for you again, she finally remembered her love for you.

-"Fuck!" - she closed the book feeling like an asshole

-"They are coming!" - Lilia woke up scared, telling the others that the Salem seven where close. Agatha grabbed her coat

-"Let's go, we need to find her before they can hurt her" - she ordered and the others followed her.

-On your side of the road-

After a few minutes of crying you also fell asleep and when you woke up, you were no longer on the road, you were on your confy bed, hugged by the covers. You sighed in relief and snuggled more into the comfort of the mattress thinking that all that had hapend was just a bad dream

-"Are you planning on staying on that bed all day?" - a deep voice took you out of your peaceful place and you sat on the bed scared to see Rio sitting at the edge of it. If you were still on a dream, she was a completely nightmare following you everywhere

-"How did I got here? What are you doing here? What do you want? If you want Agatha go ahead, I don't care anymore"-saying those words made your heart hurt, but you were tired of trying to get love from the witch with no results at all

-"She hates me, she doesn't want to be with me or see me... Remember that conversation around the fire? she is my scar... I don't know if you know this but we had a son together many many years ago... But he was sick and it was my fault, I tried to give them more time together and she tried to keep him away from me, but eventually I had to do my job and he had to come with me... Agatha never forgave me for it and I didn't forgave myself either..."-she talked with her serious face as always and you couldn't avoid the feeling that you were in danger with her close

-"If you want me to feel sorry for you, telling me that you had to kill your son, it's not helping..."-you whispered

-"I took you out of the road..."-she confessed and surprised you-"You wanted to get out and the Salem seven where very close to you while you slept so I took you out... Because Agatha wouldn't forget me ever if I had to take another one of her children away... Or her wife..."-the word wife was painful to her, you were having the life that they could never had, but she would do anything to see Agatha happy

-"That's... Thank you..."-you didn't knew what to said, you figured that she was death itself when she told you that she was "THE" green witch, but she was bending the rules of life for Agatha

-"Don't... Just take care of her okay?... And close that fucking door to the "road", like now"-she order and you stood from the bed

-"How do you want me to do that? I have no powers..."-you asked confused

-"You created it, you can close it... Or he can, you just have to let his powers control you again" - she told you pointing to your almost invisible belly. The baby was made from Agatha's spell, it made sense that you had power while he was inside you. When you turned to look at her, she was gone already.

Still confused, you ran to the basement and grabbed a piece of chalk and a few candles, remembering the spells that you had studied, you started to repeat the Latin words over and over until you saw the door desapear. Tired and a little confused of what you were capable of, you sat at the floor trying to catch your breath, hoping that Agatha and the others would find a way out.

Meanwhile inside the road, Agatha and the others were running looking for you and screaming your name when she noticed how the sky of the road started to shrink and how the trees beside them began to desapear, little by little everything started to fade around them

-"Fuck! Off the road! Let's go to the mud people, let it swallow you" - Lilia yelled, she saw this happening before and she knew what they had to do even if she didn't knew why. Although they were not quite sure if Lilia was in her right mind on that moment, they decided to listen as it seemed to be the only possible option. They all waded into the mud and fell under the road right next to an exit, using it to escape safely just in time before the place collapsed behind them

-"Well... That happened..."-the protection witch said breathing heavily

-"Its this another test?" - The potion witch asked

-"I think we are truly out..."-Lilia said.

Apparently they had come out in some underground construction and Agatha didn't waste a second in running out looking for a way out to see if she could find you

-"What about the end of the road?!" - they asked running behind her

-"I don't care about that, I need to find my wife!" - The purple witch screamed and when she finally got outside and saw that they weren't so far away from her house, she breathe out in relief. Immediately she went to the house, and when she was about to open the backyard door, the color left her skin when the door opened alone and she saw death itself leaving the house, Agatha couldn't avoid imagining the worse, that she was there to claim your body because you couldn't get out of the road in time

-"Please no..."-The witch begged her ex lover, but the green witch just walked away without saying anything else. Agatha opened the door with shaky hands and the others followed her closely

-"Aggy! Lilia! You are all okay!" - Your voice pierced their ears as your body crushed against them hugging them all taking them by surprise

-"I thought I lost you" - Agatha's voice was broken, vulnerable as she hugged you alone, closer to her-"I thought I had lost you after being an asshole to you, I... I'm sorry... I remember you, all you did for me, I remember how much we love each other, how much I love you" - she whispered pressing her forehead against yours and letting one of her hands rest against your belly. You smiled feeling safe and happy again. But your happiness ended quickly when you saw how the sky turned gray

-"Oh no... They got out too" - Lilia said watching how the Salem seven where walking down the street

-"Look guys, this is my fight, you don't need to be here... " - Agatha said but got interrupted

-"This is not the time to be good Agatha after being a bitch all this time..."-Jennifer said

-"We will protect you... After all that's what convens are for" - Alice said looking at you and then at Agatha- "I will blast you... Just don't take it all..."-she said and the purple witch nodded...

-9 months later-

-"He is gorgeous..."-Lilia said holding your baby on her arms for the first time. The little baby held her fingers in his little hand watching all the women around hin

-"He is, but now it's time for Aunty Aliceee to hold himmm" - The protection witch said excited in a pitchy voice while you watched them from your hospital bed

-"No! I was the second one to hold David, come on!" - Jennifer started fighting with the other witches making you laugh. You named your baby in honor of your neighbor that you lost on the road.

-"Love come here..."-you whispered to Agatha who was looking outside from the window. She gave a last look and closed the blinds smiling at you-"Are you okay?" - You asked and she nodded, happy to see that death was nowhere to be seen meaning that you and the baby where healthy and safe

-"Never better, I got everything that I need rigth here" - she kissed your forehead and hugged you protectively whispering sweet things on your hear.

[jselorekeeper]

"The Full Jacksepticeye & Friends panel from New York Comic Con 2024" on Popverse

Both Jackie and Marvin started off as jokes, but the way the community portrayed the characters had Jack more intrigued by actually forming the story. He admits that it was harder to come up with a story for Jackie.

James stated that the genuine humor within Jackie's comics had him intrigued by the character and he fell in love with writing him.

Megan said she likes how genuine Jackie feels, in that he is a very relatable character for most. She especially likes Jackie's clear sense of anxiety about everything. She also stated that she is all for balancing the comedy and emotions within the story through coloring.

The original intent for Jackie was supposed to be the relatable style of "when I'm doing this I feel on top of the world but when I'm dealing with real life it becomes more depressing" for Jack. Such as the example of Jack recording vs him normally feels like two different stories.

Magpie brought up the fact that most of the community views Marvin as a member of the LGBTQIA+ community, and Suzi even jokingly mentions Sunspell before continuing the conversation.

Alejandro stated that when the characters were brought out to them they both were fully formed characters but Marvin was more fleshed out. He even states that he loves the fact that Marvin's magic comes to him so easily but in reality, Marvin is struggling more on terms of how to live life normally.

"What's Next? Coming in 2025"

Jack speaks about how they are at the midpoint of the story and he mentions how he wants the finale of these egos to be good.

There is a reason that Jackie and Marvin were done together at the same time, but nothing more was said.

After the IRIS game trailer was shown Jack mentions that there is no release date yet but it is heavily inspired by Observation Duty and Overnight Watch.

He stated the first game will be free and that there are plenty of more games to come in the future.

"QnA"

"Is there going to be any cameos within Jackie's story like how there is in Marvin's?" They said the story is still going and they can take it as a suggestion.

"For the writers is there any possibility of a crossover?" They said it would be difficult to do in terms of the worlds merge and such but they also stated they cannot say anything about that as of right now.

"How was it to give your ideas to the artist?" Jack admits that it was difficult at first as it started with him alone but they now speak much more frequently so he can communicate his ideas.

"What was it like bringing mental health into the egos?" Jack stated it is the most important aspect of their stories and wanted characters people could relate to.

"Are you going to expand to other egos?" Jack admits they are just focusing on Marvin and Jackie for right now as he struggles with balancing multiple ideas at once. But, he did admit that he and Magpie spoke recently about the other egos and planned out more of their stories. Then stating he isn't sure if the other egos will be in comic form.

"If you were to take Marvin and Jackie and put them together, how long would it take for them to start fighting?" Jack jokingly talks about how messed up an idea that is and then proceeds to state "Six minutes."

[neptuneiris]

could you pretend to be in love? (10/10)

The Realization

pairing: modern!aemond × fem!reader (fake dating)

summary: prom is coming and so is the end of a stage in your life. surprises and unexpected conversations take place, the question is, are you able to forgive in order to move on?

word count: 9.7k

previous part • series masterlist

this is not a drill, it's really happening!

first of all, i want to apologize for having left this story aside without finishing it. it wasn't something i decided, the writer's block precisely in this fic made me not try anymore for a while, mostly to clear my mind and my ideas, because i had no idea what to write after chapter nine 💀

so I hope you really forgive me and enjoy the last chapter 🥺 it has been an honor to have given you this little fic, I really enjoyed writing it despite the little mental breakdowns I had haha

and just like my other stories, I keep it in my heart and it will always be here for whenever you want to reread (I will make sure to post it in AO3, don't worry) i'm also thinking of doing a poll about the epilogue where you guys will decide if you want one or prefer this ending. let me know after you finish reading the chapter 🤗

enjoy and I look forward to your comments!

It still all feels like a bad dream that you can't wake up from. An unwanted dream. A nightmare.

And every time a new day comes, you feel like a human being who does everything in automatic mode, not because you really want to.

In front of your dad you must pretend that everything is fine, but as soon as you leave home and get to school, you feel a huge weight and a sadness that nothing and no one can take away from you.

You feel the stares of some people on you, if not all of them. But the truth is that you feel so emotionally drained that you don't even pay attention to them.

Many would say that not being accepted to a college doesn't mean it's the end of the world. Nor does it mean that your chances are over because there is still too much time to be able to do everything you want.

And you accept that they are right. All is not lost because you didn't get accepted.

When you were rejected the first time when you applied in conjunction with the scholarship, disillusionment sets in. There is disappointment in yourself for not being enough and there is this question that constantly floats in your mind; why others do and I don't? Why am I not worthy of the same fate as them?

Maybe it's age, but it's inevitable to feel that rejection and failure after having so many plans and having in mind the idea of making your dad proud by telling him that you've been accepted to college.

And not just any college, but Citadel.

But so far, you haven't had the courage to tell him instead that you won't go to any college. You just can't. You don't know what exactly you'll tell him and you don't want to face it yet. You don't want to see his disappointed face so you need more time.

So instead of dreams and aspirations, as well as preparing to live a college life, you prepare and focus on getting a job. You don't see employment as a bad thing either. You just wish you didn't have to focus on it right now.

You haven't talked to Aemond either. You haven't even seen him.

You're in some classes together. But you barely pay attention. Even though you used to notice his presence before and now, unconsciously, you ignore it. Now your mind is too busy with your worries.

It's like being in a disconnect. You are just there, existing. But you barely talk, barely react and barely do. You just want classes to end soon so you can go home.

Of course, he hasn't stopped trying.

He wants to talk to you, but you won't let him. You just don't want to have anything to do with him anymore. Even though you feel that emptiness he has left, you immediately force yourself not to think about it.

It's like pain and confusion mixed together, but your pride and that same pain makes you prefer to stay away.

You don't even care anymore what people say about him and you. It's obvious that the two of you are no longer in a 'relationship'. No one knows what happened and neither one of you is clarifying anything.

Which you are grateful for, so as not to feed the topic in the whole school.

Meanwhile, Alysanne and Cregan are almost always around you, trying to cheer you up and make you endure school better. You couldn't be more grateful for both of them either.

"So what are your plans for the weekend?"

Alysanne asks as the three of you are sitting on a bench in the outside courtyard. On the bench where you and Aemond made the fake relationship contract, precisely. But you try not to focus on that as the three of you eat lunch.

"We're going to the movies, did you forget already?" asks Cregan, confused.

"Huh? This weekend?"

"You forgot," he assures her.

"I didn't forget!" she lies, nervous.

"We agreed to go on Saturday. To the ten o'clock function for the horror movie."

Oh yes, the two of them are dating. Just as you and Aemond have 'broken up', so you try not to feel more distressed about it.

"Do you want to come, Y/N?"

You raise your gaze to Alysanne, confused, who gives you a smile.

"It's a date, isn't it? Just the two of you."

"We'll have more dates," she makes a nonchalant gesture.

Poor Cregan.

"Besides, it would do you good to clear your head a bit. So, what better than going to the movies? Right, Cregan?"

"Yeah, it'll do you good," he nods.

"No, thank you," you say softly, "I don't want to interfere with your dates. Besides, I'm not in the mood to go out. I'd rather stay home."

"You're not going to interfere with anything. Besides, you've stayed home enough days," she reproaches you, "Come on. Even one night. We'll have a great time."

"If you don't want to go to the movies, we can go somewhere else," Cregan proposes.

You grimace slightly.

"No, thank you. I..." you sigh, "I really appreciate it, guys. But I'd rather stay home."

Staying home to look for a proper job and plan to tell your dad you won't be going to college, like you've been doing for the past few days.

"Are you sure?" Alysanne looks at you not entirely convinced.

"Yeah," you shrug, "Don't worry about me."

"Of course I worry about you."

"You should focus on your date," you say as you give Cregan a meaningful look.

"Totally," Cregan nods, "In fact, she'll plan the next date."

"What?" she looks at him in horror.

"What you heard."

"And why me?"

"Because I always do."

Your talk with them doesn't last long as soon the bell rings and they head off to their respective classes, except for you, who has a free hour.

So you stand on the bench alone, just looking outside and nothing else, enjoying your lunch unhurriedly and in peace and quiet.

You let out a long breath and distract yourself for a few moments in your social networks, watching as some people post their reactions from when they were accepted to colleges. Everyone screams, smiles and cries of happiness with their families.

Except for others who quietly show how they were not accepted. But they open more emails and get accepted to other colleges.

You wish you were part of them.

You close those apps and go to Tiktok to distract yourself for a while by watching funny videos or storytimes.

When suddenly, you hear footsteps approaching behind you, which catches your attention. You turn your head, peeking over your shoulder and then you see him, Aemond.

He stops as soon as your eyes look directly into his, as if you've caught him in the act of robbery. Which reveals how very cautious he was being to approach and not scare you.

You see the uncertainty in his gaze, the insecurity and the wariness all at the same time. Which is rare for him, as he doesn't allow himself to look so vulnerable. But you understand why he's this way with you.

First you think about getting up and leaving him with the word in his mouth, like you've been doing lately. But for some reason, it's like finally your mind resigns and your body will force you to stay where you're sitting. And you don't even know why.

Or maybe it's because he's begging you with his gaze not to leave and listen to what he has to say after so many weeks.

Inevitably your nerves invade you and neither he nor you say anything for a few long seconds. He just stands still, as if testing the waters, waiting to see if you will move away from him again attentively.

Then he swallows hard and watches you with a sad but hopeful expression.

“Can I come closer?”

You press your lips together, think about it for a few seconds and finally give him a barely visible nod.

You turn your gaze to the front and begin to put your tupper with food in your backpack. While at the same time Aemond approaches you, cautious but firm. And surprised that you are allowing him to do this.

You let out a long breath and bring a hand to your hair, nervous, not knowing why.

Then he steps in front of you and only at that moment, you realize he has a folder in his hand. A folder that he sets down on the table in front of you, with smooth, cautious movements.

“I just came to drop this off for you. Nothing else.”

You raise your gaze to look at it confused for a moment, then look back down at the folder in front of you.

“It's the paperwork you need to submit to finalize the scholarship process,” he says softly, “Classes start in two months and by now you should have received an email from the university with all the information as an incoming student.”

Wait, what?

Your mind immediately questions, as you frown more and feel your heart start to beat too fast.

“What are you talking about?” you ask in a low murmur, not understanding.

And Aemond lets out a long breath.

“I'm keeping my promise.”

His words echo steadily in your mind.

And you dare to raise your gaze to him again, confused, serious and incredulous. And what he does is lower his gaze, sorrowful and unsure. However… he is firm with what he is saying.

Then a tingle begins to run through your hands, at the same time as you feel the nervousness sweep through your body like a wave. You part your lips as you look at the folder in front of you and with trembling hands, you pick it up and open it.

The first thing you see is the university logo and an overwhelming sensation sweeps over your body and mind as you see what appears to be a letter addressed to you.

Miss. Y/N Y/L/N, Faculty of Law. Official documentation for the scholarship process.

You feel the air you were holding in your lungs slowly leave your mouth. And a huge weight that you felt in your chest is lifted, allowing you to rest and breathe properly.

At first, you think your mind is playing a joke on you. You think he's doing it. But… this is real. More real than you can imagine.

“I know I didn't do things the right way…

Aemond begins to speak, noticing the mix of shock and confusion in your gaze, breathing hard through your mouth.

“I know I took you for granted and that I hurt you,” he says softly, “But that was never my intention, Y/N. I-I… I thought I would get everything under control. That I would work it out and get everything done on time. But, it's just… I don't even have justification.”

You feel tears begin to form in your eyes. But you control yourself. You bite the inside of your cheek and try not to let his words make you break down in tears.

As if the fact that you have in front of you one of the papers confirming and assuring you that you will finally go to the college of your dreams isn't enough.

“I should have acted sooner and looked for solutions. I should have been honest with you from the beginning. And you don't know how sorry I am,” he says softly and vulnerably, his gaze lowered, ”I also don't expect you to forgive me for keeping a promise and asking for forgiveness. I know I fucked up and things can never go back to the way they were. But I just want you to know…” he takes a moment, "That I really did fall in love with you."

Fuck.

“What I felt for you was real. It was never a game or a pretense. I was just… afraid,” he admits, ”Afraid of fucking up what we had. Afraid it would all fall apart if I told you the truth. But… I ruined everything,” he says with a resigned tone, ”You don't have to talk to me again either if you don't want to. You don't owe me anything. I just wanted to tell you the truth and let you know how sorry I am.”

Each word echoes in your mind, with the weight of his regret and his sincerity. You feel the tremble in your body, not helping the fact that you are still staring at the college sheet addressed to your name.

And you hold back, trying to calm the chaos being unleashed inside you by his words.

When he doesn't say anything else, you certainly won't and you both fall silent for a moment, as the weight of his words and the meaning of them fill the space. Until he speaks again.

“I won't bother you anymore,” he moves forward a bit back to the way he came, “Best of luck at Citadel. You deserve it, you really do,” he tells you with a small smile that is sad but genuine at the same time.

Then his figure disappears from your field of vision and you hear him start to walk away. And at that moment, the world seems to stop for you.

Unable to help yourself, you turn your head and watch him walk away with tears in your eyes. There is something in his walk, in that slight slope of his shoulders, that screams the burden he carries. And you don't know why, but… you want to call him, to tell him something that will ease the knot you both feel.

However, you know that won't fix anything.

You feel the air leave you, his words still echoing in your mind. You stare at the folder again, trying to remember what this achievement meant to you before this moment, before he came and stirred all the emotions in you.

You try to be strong, you try not to let this affect you more than it should, you think of the positive. But you can't.

So still in disbelief, excitement, sadness and with all your emotions mixed up, you take your phone, unlock it and open your emails app. And there, your most recent email, you read: Citadel University.

With your hands shaking, you press the email and read in slightly larger letters: Welcome to Citadel University! Miss Y/N, Y/L/N. Faculty of Law, Registration number: 31982.

Then, finally, you can't hold back the tears any longer and you put a hand to your mouth, letting them out, with confused and intense feelings coming over you.

Your father's loving and proud words, hugs and kisses make you smile.

It took you four days to finally break the news to him. And seeing him so happy, excited and proud, made you finally stop feeling so bad for even a moment. You also broke the news to Alysanne and Cregan, who were very happy for you.

Neither of them mentioned Aemond, which you appreciated. But there is the clear acknowledgement to him for making this possible.

You obviously left the job search behind and instead started contacting the university. You sent the missing and necessary documents, they sent you information about the scholarship, your schedule, classes and also about your dorm.

It's like finally this void in your chest is being filled as you finally see this all happening. And as you look at the pictures of the university, with old, elegant and modern architecture at the same time, that excitement rises in you.

However, what you feel is not happiness in its entirety.

In fact, you feel in the middle of a crossroads; joy is mixed with sadness. And the satisfaction of fulfilling the dream feels incomplete.

The worst part is that you know why.

But you don't think about it too much either. You don't want to. On the contrary, you force yourself to repeat over and over again that this was the plan all along. You force yourself to enjoy it and get excited.

You force yourself to think that what happened outside of getting into the college of your dreams was for a reason, but in the end you got what you really wanted.

But, deep down inside, you think about how you wish things could have been different.

At the same time, prom is just around the corner.

At first, you thought about not attending, but of course, Alysanne wouldn't let you think about it anymore. She dragged you with her to the dress store and sentenced that it will be a date of three, her, Cregan and you.

You tried to persuade her, to make her understand that Cregan only wants her as his date. But, of course, Cregan as the great friend he also is, told you it would be fun.

Certainly neither he nor you nor Alysanne have ever been on a three-way date and he told you; what better than to try it at the prom?

The prom preparations are done. Now the important thing is to turn in final projects and get rid of all the pending with the professors.

And that's what you're doing now.

With your headphones on and a notebook along with a book on your table, you're about to finish a long, boring project. When you notice how a figure suddenly obscures your workspace and you raise your gaze almost instantly, curious.

Helaena.

You remove your headphones, surprised to see her as she smiles softly at you.

“Hi,” you say to her in a soft tone, putting your project aside for a moment.

“Hi,” she says to you in the same soft tone, ”I… am I interrupting you?”

“Oh no,” you say nonchalantly, “I mean, yes, but I'm just about to finish it anyway. Don't worry.”

She looks at you a little unsure.

“Are you sure? It's just… I don't know,“ she shrugs, 'It's been a while since we last talked and I didn't know if I could come up to you.”

Again you ignore the small sharp pain in your chest at the memory of Aemond and try to look like you're not at all affected by having his sister in front of you.

“Yeah, well…” you try to smile a little, ”Things have been… intense lately.”

She nods as she takes a seat across from you.

“So it's official?” she asks you with a sad tone as she watches you with a sad little smile, “Like, I mean… you and my brother aren't coming back together?”

This time, the sharp pain in your chest is stronger and more persistent. As well as her question hits you like a wave.

How can you tell her that, in reality, everything you and Aemond had was false? That it was all part of an agreement?

The guilt begins to consume you as you see her face full of expectations and the worst thing is that it's not something you should tell her. That should be Aemond. But, still, you feel the urge to cry and you feel the need to finally tell her the truth, for the sake of everyone who made you believe the fake relationship.

“Helaena…” you begin, your voice barely a whisper, ”I-I… need to be honest with you.”

You take a breath, expecting the worst and imagining a series of difficult emotions to deal with.

“This whole thing between Aemond and I… it was fake,” you speak fearfully and sorrowfully, ”We were just… pretending for our own convenience. It wasn't…” you sigh, closing your eyes for a moment heavily, ”It wasn't real.”

You expected surprise, indignation, incredulity, anger, and more, all at the same time. But to your greatest surprise and bewilderment, she doesn't seem remotely surprised. Instead, she just smiles softly at you, full of understanding, as if she's been waiting for this moment for a long time.

“I already knew that,” she tells you in a serene tone that disarms you.

You feel your lungs hold all your air and you watch her completely stunned, surprised and confused with your parted lips. Then you blink, processing her words.

“What?”

“Aemond told me everything the moment you set up your rules,” she replies calmly, “The truth is, he never hides anything from me. He can't. So I already knew what you both were doing from the beginning.”

You continue to watch her in shock and disbelief, unable to believe it, trying to understand how she could have kept this to herself so naturally.

And in that moment, with disbelief and surprise beating in your chest, you realize that in every single conversation you had with her, right here at school, at parties, even at that family dinner that ended in disaster thanks to Aegon's drunkenness… she had always known.

“Though I don't always approve of his decisions, I understood why he did it… and why you did too.”

But your mind is still short-circuiting, processing and comprehending.

You relive in your mind every moment you went out of your way to pretend, believing you were fooling everyone, especially her. And yet, there's Helaena, looking at you with an expression of calm and empathy that completely disarms you.

“So you knew?” you are able to formulate in asking in a breathy whisper.

She nods, smiling softly.

“Easy, only I knew.“

“And you're not upset?” you ask confused, still waiting for some sign of reproach.

“Not at all. On the contrary, I'm relieved,” she tells you honestly, ”People made fun of Aemond after Alys. And, well, that left a mark on him. You know what rumors are like here.”

“Oh, believe me I do.”

“And they made him miserable. It also didn't help at all that Alys was his first girlfriend and his first formal relationship but the two of them didn't love each other, it was just obsession and whim,” she says absurdly, "And with you, at least, he got some peace back, even if it was temporary."

“But then…” you look at her blankly, “Why did you ask me if we'll get back together?”

Helaena sighs, her gaze soft but intense.

“Because in the end the two of you really fell in love. I saw you at Dragonstone and it was… too obvious.”

You remain silent, remembering those moments.

Both of you walking through those historical corridors, seeing and learning absolutely everything about old Valyria. Both holding hands, fascinated in the aquarium watching everything around or walking together on the shore of the beach, laughing, exchanging glances, hugging and kissing every now and then that everything felt too sincere to be pretending.

You relived every moment and every detail that you wished you could go back to when everything was fine.

Aemond had been different with you those days, a side of him that you had never seen and had thought only existed because of his performance in the fake relationship you had both agreed to.

But even you, being there, without the pressure to pretend, you felt the barriers fall between the two of you, because it was all real.

“He fell in love with you, Y/N,” Helaena tells you sincerely, “You… you did too?”

You feel a lump form in your throat and you let the question float in the air for a moment. The answer is so clear in your mind that it hurts; and yet, saying it out loud feels like breaking a promise you had made to protect yourself.

“Yes, I did too,” you admit, sadness settling in your chest, "But…" you take a deep breath, watching her, ”What happened with Floris even though it was a mistake… and then, the fact that he didn't tell me the truth about Citadel, it really hurt me.”

Helaena nods softly, not judging you, simply listening to you. And when she speaks, her tone is so serene and understanding that it comforts you.

“My brother has this amazing ability to do things in the worst possible way,” she says with a small resigned smile, ”Floris was a mistake. He was drunk and well, he told me that before that both of you have had a disagreement, although that doesn't justify it, I know. I'm just saying, it really was a mistake.”

Your mind momentarily flashes back to that moment, when you tried to end the fake relationship after the family dinner thing.

“And as for the Citadel thing…” she pauses, searching for the right words, “He freaked out, Y/N. He didn't know how to tell you without ruining everything. And I know that doesn't justify it either, but…” she sighs, ”He was going to do whatever it took to hold up his part of the contract. He just didn't count on our grandfather suddenly getting difficult. Our family is already so fucked up as it is, that was the last thing he expected.”

Her words suddenly make you feel interested and curious about a specific topic you hadn't remembered until now. But Helaena continues to speak and you listen to her.

“Even though his method was disastrous, in his mind, he was protecting you,” she says, ”Again, I'm not justifying it. But I know he was desperate to get you that place at Citadel no matter what because he knew you deserved it. And…” she smiles at you with a gesture of resignation, "I think he loves you enough to do stupidly risky things. Even go against grandfather and act behind his back knowing how much trouble he could get into.”

You bite the inside of your cheek and feel a knot of emotions form in your chest. Everything she's telling you opens a door to feelings you'd tried to repress, to thoughts you'd rather bury.

You take a deep breath, remembering again those days at Dragonstone.

You relive every moment, when words were redundant and the silence between the two of you felt so full of meaning. He was always watching you in a way that seemed to say everything and nothing at the same time. He was slowly revealing that vulnerable part of himself that he seemed to have lost after Alys.

But as much as you want to think straight, your thoughts are a whirlwind of conflicting emotions. On the one hand, the pain of it all consumes you but on the other, there's the certainty of how you feel about him.

Even when you're hurting, you know you can't ignore it.

“I know he's still waiting, deep down, for maybe…” Helaena pauses, “Maybe there's a chance for both of you.”

The expression on her face is so sincere and tender that you find it impossible not to believe her, and the thought fills you with a mixture of relief and pain. Because, despite everything, you still love him, and that truth is impossible to deny.

“I don't know,” you confess, biting your lips and feeling your eyes water, ”I-I…I don't know what to do. I mean, we're already graduating. We'll go to the same college but I doubt we'll see each other, you know? And I just… n-no… I don't know….

“Hey, hey,” Helaena tells you instantly, ”It's okay. We don't have to talk about this anymore. I didn't want to overwhelm you or burden you, I just wanted to tell you my opinion and for you to talk to someone in case you needed to,” she tells you softly, comfortingly, ”Still, it's something between the two of you and we can talk about anything else.”

You thank her with a relieved look, her gesture of empathy appearing as she watches you with her soft, understanding expression. And then, she speaks with a more casual tone, changing the subject with a lightness that relieves you a bit.

“You have everything ready for graduation? Are you bringing a date?”

“Hum… yes, I already have everything ready,” you nod, ”And no, I'll go with my two friends. I think you met them, Alysanne and Cregan.”

“Oh yes! I know them,” she says with a smile, ”And I'm going with a friend too. I don't really like the idea of everything being so formal, so going with a friend will make it all more fun.”

Both are silent for a few moments, and although the conversation has taken on a lighter tone, you feel there's still a question trapped in your chest. And at the memory of that day, an impulse prompts you to speak before you can stop yourself.

“Helaena,” you call her softly, "I… can I ask you something?" you ask almost in a whisper, lowering your gaze a little, hesitating.

She watches you curiously and nods without hesitation.

“Yeah, sure.”

“Hum…” you stir in your seat, “That night, at dinner, Aegon said something… about your dad not caring about you. What did he mean by that?”

She immediately looks like she wasn't expecting that question at all, which immediately makes you regret it, but then she softens her whole gaze, not looking at all uncomfortable or upset.

“Oh, well… our dad…” she begins to speak, choosing her words precisely, “Well, he was always very neglectful with us. He always left all the work to mom to take care of us, even when she had to work too so she wasn't totally dependent on him,” she explains, ”It was chaos for a long time. Aegon and I lost years of education because of his lack of commitment.”

“Really?” you look at her attentively and surprised.

“He missed the date to register us for kindergarten in our proper time. He always forgot our birthdays or some important date. But, of course, that never happened to him with our older stepsister, Rhaenyra.”

You remember Aemond mentioning her, though not much.

“And you don't talk to her?”

“Yes, of course,” she says with a small smile, “She was never at blame. In fact, by comparison, she always took us into account and never forgot our existence,” she explains, ”And well, eventually mom divorced him. And the only good thing dad did in the end was to mention us and give us parts of his inheritance in his will.”

Helaena's sincerity and calmness in sharing this about her life surprises you and, at the same time, makes you understand the complicated family history behind them. Now it's no wonder why Aegon was so angry to bring up the subject of parents.

Nor do you ignore the connection you begin to feel towards them, obviously because of your mother and her abandonment.

“It must have been very difficult, for everyone,” you murmur, ”I'm sorry to hear that.”

She nods, though her expression doesn't reflect bitterness, but something akin to mature acceptance.

“Yes, but that made us strong,” she says with a slight smile, "Aegon was the one who resented his absence the most, as you could see," she tells you knowingly, ”You know, being the eldest and all. But we're more… happy now, now that he's gone,” she confesses.

You let out a long breath, watching her with compassion.

“Thank you for telling me. I didn't mean to intrude, really.”

“No, it's fine, it really doesn't affect me,” she assures you softly, ”After that Aegon scene at dinner, it's valid you know. So don't worry.”

You both smile softly at each other, expressions warm and sincere, falling silent. When Helaena stands up, slinging her backpack over her shoulder.

“Well…” she says, letting out a slight sigh, adjusting her backpack, ”I should be going now. I also have projects to finish.”

“Sure,” you nod, ”Thanks for coming and talking to me.”

“Oh, there's nothing to thank you for. Anytime. I'll see you later, okay?”

“Okay.”

You both say goodbye and you watch her walk away in the direction of the main building, her silver hair shining in the sunlight, as you let out a long breath and put your headphones back in.

Prom.

You really don't understand what you're doing here. But it's all Alysanne's doing, like the makeup, hairstyle and dress.

You get out of Cregan's car with a beautiful lilac metallic dress on. Finding it wasn't hard at all, since it was like love at first sight, especially since it has a princess cut. And upon measuring it, Alysanne also decided that it was the one.

The hairstyle was also easy, after all, you didn't want anything too voluminous or too fancy. So a wavy style in your hair with a crown of silver flowers at the crown of your head was the perfect touch.

Alysanne on the other hand chose a beautiful wine colored dress that flatters her at every angle, deciding to gather her hair with two strands falling on either side of her face, making her look absolutely elegant and gorgeous.

And once all three of you are ready, Cregan dressed in an impeccable dark suit, offers you both his arms and you enter the grand ballroom of the luxurious hotel together.

The ballroom is illuminated by the typical disco balls hanging from the high ceiling, casting silver and white sparkles that create an almost magical atmosphere.

The decor is elegant and subtle, with centerpieces of fresh flowers and candles giving each table a touch of romantic charm.

You feel a mixture of nerves and excitement as you enter, as if it's all part of a dream. After all, it is your prom and tonight symbolizes a chapter you are about to close, your high school years.

The dance floor is in the center, surrounded by tables in a circle and already some of the guests have started to dance, getting lost in the rhythm of the soft music that fills the atmosphere thanks to the DJ.

Although not only disco balls light up the place, but also some colored lights to make the atmosphere more colorful.

If someone had told you in your freshman year everything that was going to happen in your final year, you would have laughed out loud and wouldn't have believed it at all, because your life was too boring.

But here you are, with still those events in mind, where at the end of the night, you will put them behind you.

You adjust your lilac dress, whose princess-cut skirt falls in soft layers to the floor. The fabric moves with you, as if it were an extension of your own footsteps, and the color shimmers delicately under the silver lights.

The three of you make your way to one of the tables to take a seat and you take a closer look around you as the decorations and you also see familiar faces of some of your classmates, some laughing in groups and others on the dance floor with their dates.

And Alysanne, excited and obsessed with everything, wants to have memories of the whole night and soon the three of you are taking a long selfie session with her phone.

Cregan complains about too many photos and the laughter of the three fills the air as Alysanne continues to make sure she captures the best shots, changing angles and poses.

Alysanne, with a huge smile, spins around on herself and then grabs your hands to dance with her, laughing every time you both take a step out of rhythm. You can feel her pure happiness, an excitement that doesn't take long to become contagious and where Cregan soon joins in.

The dance floor is filling up and the sparkles of the lights reflecting off everyone's costumes and dresses create an enchanting and magical atmosphere.

The DJ starts mixing more upbeat songs, and you see how everyone is having fun, laughing and dancing.

Immediately this catches Alysanne's attention and she drags the three of you onto the dance floor with infectious laughter. Before you know it, you're in the middle of the dance floor with them, surrounded by movement and music.

The music beats on the floor and vibrates in your chest, and, slowly, you begin to let loose, moving to the beat of the songs as the colored lights swirl above you all.

“I'm going to get a drink!” you let them both know over the music.

You have no idea exactly how much time passes that you find yourself dancing, enjoying the night, the echo of laughter and the warmth of the crowd.

The euphoria makes you forget and enjoy yourself as you feel your throat dry and your feet start to ache, with your body starting to beg for water and a little break.

“Okay!” Cregan nods, throwing you a smile, still dancing with Alysanne.

You smile knowingly, since after all, these two deserve to have their moment, and you walk away towards the table where there are different desserts and the drinks for all the graduates.

You take a bottle of water, and as you drink, the immediate relief makes you close your eyes for a moment, enjoying the coolness.

And only at that moment, standing alone and a little apart, you notice the glances of some people around you, mainly girls passing by you and whispering something between them, looking at you out of the corner of their eyes.

Great.

You thought you were past all this but even at prom it doesn't stop.

You take a deep breath and look out onto the dance floor, where you make out Alysanne and Cregan dancing close together, smiling and animated. You certainly don't want to interrupt them and you look around again, trying to distract yourself with anything you can find to rest your feet on.

You try not to make a big deal of it and look back at them for just a few moments with a serious look on your face and again try to focus on regaining your energy, telling yourself that this shouldn't affect you.

You remind yourself that you are here for you and your friends, and that is all that should matter to you.

When your gaze unconsciously focuses on Floris.

With her arm intertwined with a boy, whom you recognize from the lacrosse team, she looks absolutely elegant with a beautiful hairstyle and a gorgeous pink dress.

And as she joins the party, she seems totally focused on enjoying the evening, her expression relaxed and happy.

You look away from her, focused on something else, where your attention slips unintentionally to Alys, surrounded by her friends.

In the distance, suddenly her gaze meets yours and you quickly look away, not knowing why but… you really don't want to deal with or care about those people anymore.

She's wearing dark makeup and a sensual emerald green dress that completely clings to her body and highlights her curves. She looks completely beautiful, but knowing her attitude and behavior, it makes her lose her charm.

You watch Helaena for a few more seconds, her energy lighting up the dance floor, when suddenly, a tall, familiar figure catches your attention on the other side of the room in the crowd.

Instead, you focus on Helaena, who you find among all the people dancing, getting carried away by the atmosphere and in the company of the friend who told you.

Her silver hair is swaying to the music and she shines in the middle of everyone in that beautiful sky blue dress and gold accessories, looking absolutely gorgeous.

Aemond is standing a few feet away, talking to Aegon, both looking absolutely handsome for the evening. Then, the atmosphere around you seems to fade a bit and he's the only one who catches your eye in the middle of the crowd.

And that mixture of emotions about him rises in your chest again.

You take a closer look at who is around him and it is only Aegon. You don't see any girl hanging on his arm or anything, so apparently he has come unaccompanied, just like you.

He is dressed in a dark suit that highlights his slender figure and impeccable posture, just like Aegon. The silver light of the disc balls bring out his silver hair and his face so perfectly detailed, giving it a glow that is almost unreal to you.

Your gaze lingers on him longer than you had anticipated. From a distance, you can notice the lack of expressions on his face and the small twitch of his lips as he speaks to Aegon, looking around him without really showing any emotion.

That eye contact takes the air out of you. The memory of all the things you shared, the conversations, the looks, the touching and kissing… it all comes over you.

And at that very moment, as if sensing the weight of your attention, Aemond looks up and sees you beyond the crowd, apart and alone. The visual connection is instantaneous, almost electric, and suddenly you feel all the people and bustle around you fade away.

You can't deny the attraction and deep affection that, even now, beat intensely in your chest. And, for an instant, you wonder if he too feels the same mix of nostalgia and sadness in the midst of it all.

You notice how he looks you up and down, lingering on every detail of what you're wearing today, his eyes shining, filled with a kind of wary hope and longing, completely stealing your breath.

Then, his body language tells you he's getting ready to move. Coming at you, with her determined gaze.

Oh God.

A sense of panic invades every part of your body. And before he can do anything, you look away and quickly make your way to the dance floor, blending into the crowd, heading towards your friends.

The music booms in your ears and your thoughts are in complete chaos, hitting you one after the other.

Closing your eyes for a moment, you tell yourself that you just want to enjoy the night, to stop thinking about him and what was, even if it's only for a few hours.

So time passes, the energy of the dance becomes more relaxed, and though you manage to avoid crossing paths directly with Aemond, his presence seems to haunt your mind like a lingering ghost, one that doesn't dissipate with the music or the bright lights.

You look around from time to time, and out of the corner of your eye you notice that he also seems to avoid being too close to you, although you can't help thinking that maybe he is also looking for you in the crowd, as you are looking for him.

Until, finally, the atmosphere immediately changes.

The lights dim and the silver and warm tones transform the room into an intimate place. Couples begin to approach the dance floor, holding hands, to dance to the slow songs. And you decide it's the perfect time to take a break.

You smile at Cregan and Alysanne, giving them another moment again, feeling a twinge of tenderness and, at the same time, unexpected loneliness.

You take a seat at one of the nearby tables, watching as the dance floor fills with couples slowly swaying to the music.

Dresses and suits intertwine, and for a moment, you let yourself be enveloped by the warmth of the atmosphere, allowing yourself to feel invisible in the midst of all that harmony.

You watch Floris dancing with that boy, Alysanne with Cregan of course, and Helaena dancing with her friend, both with amused smiles and talking softly without taking the slow dance so seriously. You also see Aegon dancing very close with a girl.

And as your eyes wander around the dance floor, your gaze focuses again on his figure, which seems just as lonely as yours.

A few tables away, Aemond sits alone, surveying the dance floor with an expression you fail to fully decipher. His fingers drum on the rim of his glass, and, for a moment, he seems lost in his own thoughts. He looks calm, almost vulnerable.

You stare at him longer than you think and sigh, averting your gaze, and as the seconds pass, the urge to stand still and do nothing begins to fade.

You bite the inside of your cheek and begin to move your foot up and down rapidly, feeling your heart begin to beat too fast. You watch all the people dancing again, hesitating.

Then you let out a long breath and without knowing exactly why, you take a deep breath and stand up. With slow steps, a momentum and a calmness you try to maintain, you head towards him.

As you get closer, you notice how his gaze, which was lost on the dance floor, suddenly focuses on you, noticing before out of the corner of his eye your approaching figure. Surprise and bewilderment mixed with something else appears in his gaze and you stop in front of him, nervous but determined.

Then neither of you say anything for a few moments. The same nerves make you unable to speak and the two of you just stand there, watching each other.

You feel how some people around you suddenly have their attention focused on both of you, waiting for what you will do, but you don't even pay attention to them. You just focus completely on him.

Until you sigh.

"Do you dance?" you ask softly and nervous.

The words seem to break the spell, and Aemond blinks, clearly surprised and somehow confused.

You watch the expression on his face, as if he's processing every word you've just said, looking for some hint of doubt or change of heart in your expression.

"S-sure," he says still confused, not expecting this at all.

There's a mix of emotions in his eyes, confusion, surprise and nervousness, something you wouldn't have expected to see in him. And you, not wanting to drag this out any longer than necessary, extend your hand to him.

He watches your face attentively and then your hand, still surprised, to finally take it gently. His fingers intertwine with yours, sending an electricity throughout your body through his touch as he stands up.

You swallow hard, feeling your heart beating like crazy and nervousness invading your whole system. And without another word, you both head for the dance floor.

Then, everything around you fades away, the murmurs and laughter, even the music itself becomes a distant whisper, and only he remains, next to you.

He places a hand on your waist, his touch delicate, as if he doesn't want to do anything that could break this fragile instant. You take his other hand, intertwining it with yours and as you both begin to move to the rhythm of the music, you feel how a mixture of emotions floods each of your senses.

Aemond watches you, his eyes fixed on yours and with a nervous little smile on his lips, as if he can't believe this is really happening.

The music moves forward, slow, allowing you to glide in front of each other. As his steps synchronize with yours, the movements become smooth and natural.

And in a moment you realize that you both are completely absorbed in each other, as if nothing and no one could interrupt this bubble that surrounds you.

Finally, Aemond breaks the silence, his voice barely audible over the music and shy, watching you with a gleam in his eye.

"You look beautiful."

He says to you, his words so sincere and emotionally charged that you feel a surge of warmth wash over you.

You wish his words didn't make you melt. But they do. And everything about him, every gesture, his closeness, the firm, protective touch of his hand on your waist, the way he holds you, as if you were something precious and delicate, envelops and intoxicates you.

"Thank you," you reply, feeling a soft smile appear on your lips, "You too... you look very handsome."

He smiles, marking the dimples on either side of his cheeks.

"I wasn't expecting you to come over," he admits, his eyes revealing something between vulnerability and surprise.

The tone of his voice, so soft and honest, makes you feel a warmth you haven't experienced in a long time.

"I didn't know I would," you reply with a barely perceptible smile, "But I thought, maybe... I don't want to spend the night running away," you confess.

He nods, not looking away.

"I didn't want it to be like that either."

His hand on your waist pulls you slightly closer to him with a firm movement and the slight brush makes you aware of the closeness between the two of you.

You feel your thoughts cloud over and you let yourself become more enveloped by him, unable to help it.

His chin brushes your forehead and you feel that at any moment your heart will jump out of your chest. It's an insistent, powerful beat that seems to resonate with every breath you take at his side.

Then, Aemond lowers his voice, his tone becoming softer, almost melancholy, as if his words are a secret shared only between the two of you.

"I was going to ask you if you wanted to be my date that day, you know? When I gave you the folder.

"I was going to ask you if you wanted to be my date that day, you know, when I gave you the folder," he confesses, with a certain melancholy tone, "But I knew it wouldn't be fair to ask you that and I really didn't want to hurt you anymore."

The sincerity in his tone pierces you, and you feel your own barriers begin to crumble. You listen to him with your heart pounding, absorbing every word.

Aemond sighs and his fingers tighten slightly at your waist.

"And a moment ago, when I saw you so perfect and so beautiful in this dress... I realized how much I wished I had walked through those doors with you on my arm," he says with a longing and sadness.

The music continues to envelop you and you feel his confession reverberate through you, intensifying every sensation, every emotion.

The strength of his words, of the connection that has been created between the two of you in the middle of this song, makes the air seem thick and charged with meanings that don't need to be explained.

Then you raise your gaze to him and you both stare at each other in silence, where your words seem to get caught in your throat.

His eyes roam over your face, as if he wants to remember every detail, as if he wants to take this moment with him. There is a sadness and a softness in his gaze that you haven't seen before, and it makes something in your chest tighten.

And again his voice breaks through the soft silence that envelops you.

"I'm sorry... for everything," he says barely a whisper, laden with a sincerity that resonates deeply.

His fingers trace slow circles on your back, small gestures that seem to try to comfort you and to comfort him too. The contact between the two of you is firm and warm, and yet, you feel as if Aemond fears that at any moment this could disappear.

For a moment, the music seems to fade, leaving only your heartbeat and the echo of his voice in the air.

You feel the urge to speak, to say something that would ease the vulnerability on his face, but you find it difficult to organize your thoughts.

Instead, you opt for a simple but meaningful gesture. You propel yourself a little towards him and leave a soft kiss on his cheek, then rest your head on his chest and gently inhale his expensive cologne, being comforting enough for you.

"It's okay," you murmur.

He lets out a sigh of relief, mixed with longing and makes his grip on your waist tighter, not wanting to let go. Then, he leaves a soft kiss on the crown of your head, resting his head on yours as you both continue to sway gently to the music.

"Thank you for giving me this dance," he murmurs.

You place a soft, small smile on your lips, then raise your gaze to his, watching him with nothing but fondness.

He continues to watch you with that softness and one of his hands goes up to your cheek. In a delicate, almost fearful touch, his thumb runs over your skin in a gesture that is both protective and vulnerable.

Then he rests his forehead against yours and you both close your eyes, as you lean into him.

You both fall silent, letting the slow rhythm of the music carry you away, allowing the moment to linger, in a fragile and honest peace.

You feel that you could stay like this, in this bubble of time and silence, without the need for words, because, in this instant, you both understand what has been said and what doesn't need to be said.

The song changes to another slow one and you both lose yourselves in the moment, enjoying it, not wanting it to end.

Time seems to stand still as you dance together, moving slowly and leisurely, as if nothing and no one else exists. The sounds of the party fade around you, leaving only the beating of your hearts and the faint brush of your breaths.

Your eyes close as you let go, feeling his hand on your back and the warmth his body gives off, so close and so full of meaning.

You both breathe in sync, your foreheads resting against each other, your eyes closed as the moment stretches out and becomes more than just a dance.

This instant is a truce, a refuge where everything else, the doubts, the pain, the past, is suspended and what follows is moving forward.

"You've got everything ready to go to college?"

His voice breaks the silence softly, barely a murmur, as if afraid to disturb the peace around you both.

"Yeah," you murmur, nodding.

"What are you traveling there on?"

"Well, I was checking with my dad about bus and plane ticket prices. But I still haven't made up my mind," you admit, remembering discussions about which was the safest and cheapest option.

Aemond nods, thoughtfully. Then, after a brief pause, he speaks with calm assurance.

"I can take you."

You look at him instantly surprised, definitely not expecting that.

"What?"

"I can take you," he repeats, sure of his words, "Well, sure, if you want," he hastens to clarify, "After all, we're going to the same place and I'll make the trip in my car," he explains, "There's plenty of room for your bags along with mine and so you won't have to spend on a ticket. Besides, it would be safer and I think, I don't know, you'd be more comfortable."

You remain silent, trying to assimilate what he has just said. There is something in his words, in the slow and sincere tone, that strikes a deep chord in you.

The idea of making the trip together, of sharing that important moment of departure, of having one last time alone before facing a new life, awakens a mix of emotions that are difficult to describe.

He lowers his gaze for a moment, nervous, clarifying in a low voice.

"It's just a suggestion... something I thought might make things easier for you. You don't have to do it if you don't want to."

Your heart pounds, and somehow, the simplicity of his offer, the naturalness with which he cares for you, causes a warm surge of gratitude and affection to wash over you.

"Can you really do that for me?" you ask quietly, with a little smile you can't help.

"Sure," he says absurdly softly, as if it weren't obvious, "But only if you want me to. I don't want to force you. It's just an option."

You look up at him, holding his gaze for a second that seems like forever, and nod slowly, allowing the feeling of relief and closeness to wash over you.

"I'd love to," you whisper, your voice barely a murmur, "Thank you."

The shadow of a smile tugs at his lips, and you can see the relief in his expression.

"No need to thanks."

Without another word, Aemond pulls you a little closer to him and again the two of you bring your foreheads together, letting the moment lengthen as the music changes to another slow rhythm.

You both remain like that, moving in silence and enjoying the moment, spending the last moment of your high school lives together, to start college together.

"Are you ready?"

Aemond watches you from the driver's seat, his hands resting calmly on the steering wheel with a small smile on his face.

The car is already loaded with suitcases for both of you and you nod, taking a deep breath to calm the emotions fluttering in your chest.

The thought of heading off together towards this new stage causes a mixture of nerves and excitement to wash over you, though a part of you also feels comforted by Aemond's presence at your side.

"Yes," you reply, adjusting your belt.

You watch him and he gives you one last knowing look before putting the car in move.

Saying goodbye to your dad was difficult, but it was something you were both already preparing for and you knew that moment would come.

Besides, he met Aemond, as your friend who will do you the favor of driving you to college and nothing more. And your dad felt safer with that instead of taking the plane or bus alone.

Especially after Aemond promised him countless times that he would take care of you at all times.

The road is serene at first, and Aemond turns on the radio, letting a soft melody fill the comfortable silence between them.

The roads stretch out in front of you, long and exciting, as the landscape changes shape and the kilometers pass, leaving behind the city where you experienced so much.

From time to time, you exchange glances, small comments about the places you see and the expectations each has for the university.

Aemond seems especially careful, attentive to every sign on the road and every change in your expression, as if he wants to make sure you are comfortable and at ease.

And he especially notices a change in your expression.

"Is something bothering you?" he asks you, his voice low but close, filling the space in a comforting way.

You watch him and after some hesitation, you shrug.

"I guess it makes me a little nervous not knowing what to expect," you admit, "This whole new stage... the idea of being alone in a new place."

Aemond nods, understanding what you mean, his eyes fixed on the road.

"I guess it's normal," he tells you softly, "It's almost obligatory to feel this way, but, for what it's worth... you won't be completely alone."

His gaze meets yours for a second before he turns back to the road.

"I'm going to be around if at any time you need anything or anything happens, anything at all."

You feel a warmth settle in your chest, and a part of your nerves seem to fade. The idea of him being there, close by, offering you that closeness, gives you a strange sense of relief.

"Thank you, Aemond," you murmur with a small smile.

He smiles, marking a dimple in his cheek, and turns his eyes to the front.

The ride continues, where the atmosphere in the car becomes more and more comfortable, chatting about small details, expectations, and the occasional joke that makes you both laugh comfortably.

And finally, as the two enter the town of Oldtown and the university looms in the distance, Aemond slows down, looking at the campus that would soon become his home.

"There it is," he says, a slight excitement in his voice.

The same excitement rubs off on you and excitedly, you take his hand, intertwining it with yours, excited and hopeful.

Hopeful that all that is to come for you in this place are good and promising things. As well as hopeful for Aemond and for you.

series taglist:

@melsunshine @at-a-rax-ia @jxdegodfrey @ttkttt @yentroucnagol @kate-to-the-ki @iamavailablesstuff @bluerskiees @urmomsgirlfriend1 @toodlesxcuddles @rosie-posie08 @iloveallmyboys @bellaisasleep @deliaseastar @cupcakesminicakescupcakes @dixie-elocin @lilostif16 @wickedfrsgrl @a-beaverhausen @saturnssrings @ladythornofrivia @vhwyrm @strangersunghoon @queen-of-elves

[buckleybltch]

Why Tommy is Different to Buck’s Previous Love Interests

and Why it Doesn’t Make Sense.

This is going to be a long and (primarily) impartial post intended for all audiences, whether you like Tommy or not. However, this is not the blog to be airing grievances on. I’m not here for that. I am going to put some opinions of mine through here, but that’s all they are, and I’m going to try stick with facts with a side of interpretation. And Please, for the love of God, read till the end before commenting.

If you want to think I’m nitpicking then go ahead, but every scene of this show gets analysed to death and back for varying reasons. This will be no different.

The Hospital Scene

For the first time, we see one of Buck’s love interests sitting with the 118 at the hospital while they wait to make sure one of their own is okay. In regard to the group chat that appeared on that scene, form your own opinions. We don’t know if Karen or Maddie is in this group chat either. Opinion: I personally don’t think it’s that unusual to have a work group chat, and I also think Bobby showed Athena his phone. I don’t believe that was meant to reinforce the idea that Tommy is an ‘outsider’- if he was an outsider, he wouldn’t have been at the hospital altogether.

Never before has a LI shown up for the 118 at the hospital with Buck. Ali and Abby turned up at the hospital for Buck because it’s him who was hurt, and Taylor was at the hospital with her camera man for the story (s5 May Day). When Eddie got shot, Taylor showed up at the hospital because she thought it was Buck who got shot. Tommy showing up is a unique situation- they were sat in their civvies as a group in the waiting room, and Tommy is there with Buck for Denny. Tommy was part of the 118 waiting room crew; we’ve never seen this before; Buck’s partner showing up for his team(family) at the hospital.

The closest we’ve had before is Abby showing up to Chimney’s return to work party, but at this point they weren’t actually together, and obviously Chimney was okay by this point, it’s not a hospital scene.

The Firefighter Life

When Ali breaks up with Buck, she says it’s because she can’t handle the firefighter life, waiting for him to get hurt. She says it’s not what she wants. This issue isn’t present with Tommy because he is also a firefighter. He knows what he signed up for with Buck, he’s perfectly and intimately familiar with the risks they take everyday and the risk of getting hurt. While it’s a perfectly reasonable assumption that this might still be an issue to some degree, no one wants to see their boyfriend getting hurt after all, they both understand the life and what it means. Tommy solves the reason Ali broke up with him.

The Bobby Approval

This one is a key one. When the scene first aired, I strongly believed (and still do) that this line was also intended for the audience. We have Bobby’s explicit approval of Tommy as a person and for Buck. He’s good people, he’s good for you.

Bobby and Buck never spoke about Natalia or about Ali. I hold the belief, like many, that Bobby never particularly liked Taylor because of how she tried to exploit Bobby in season 2. However, Bobby did help Buck decide on a Christmas gift for Taylor and vice versa. Yet, he never said on screen that he thought they were good together. Hen and Chimney do also come to Taylor for help (s5) with Jonah, but even in that scene they’re shown to not trust her with what they’re telling her.

Abby is more complex as she was a main character in season 1 and her relationship with Buck was a full-season arc. Bobby helped Buck tie his tie and gave him genuinely good advice before their date. Bobby even talks to Buck about having a serious relationship and how to handle it, about how to treat her with respect. Other characters definitely aired their reservations about Abby in season 2 (Is it the age difference? More like the time difference). I believe Bobby gave his implicit, but not explicitly said, approval of Abby through the way he treated and spoke to Buck about their relationship. Despite this, I do think it’s poignant that for the seven years after Buck and Abby broke up, we never saw Bobby approve or like another one of his relationships until Tommy.

The Future Talk

In 8x06, Josh straight up asks Buck if he can see a future with Tommy. This of course follows up Josh already asking “do you care about him, do you think about him when’s not around”. The discussion between Josh and Buck is unique, because Buck has never spoken to a friend about this before. His relationships with Ali and Natalia weren’t developed or long enough to warrant the discussion, he never talked about the future with Abby, and he said “no” at the prospect of proposing to Taylor. For the first time, Buck is asked on-screen if he sees a future with his romantic partner, and Buck says yes. This is explicitly said for the first time. Yes, he made a confused face when Josh asked if he loved him, because clearly Buck hasn’t given it that much thought until he’s confronted with it. Either way, Buck, for the first time, says he wants a future with his romantic partner.

This further prompts Buck to ask Tommy to move in with him, which, different to his motivation for asking Taylor to move in with him, is fuelled by wanting a future. Buck even brings up marriage in his discussion with Tommy, which he’s also never discussed with a romantic partner on screen before. The content of both discussions is something we haven’t seen Buck talk about or admit before.

Eddie Friendship

All of Buck’s love interests, bar Abby, have screen time with Eddie. However, Ali and Natalia only share screen time with Eddie when they first meet because they meet on a call. As Buck’s girlfriends, they don’t share screen time with Eddie.

Taylor once has dinner with Buck, Eddie, and Christopher, and she compliments Eddie’s cooking. Correct me if I’m wrong, but I believe this is the only main time they’re seen together. It’s civil, it’s fine. However, they aren’t friends.

Tommy is a unique situation again; because he’s a guy, it might be easier for Eddie to form a friendship with him. They’re very fast friends, they do Muay Thai together, Tommy works on Eddie’s car, they play basketball together, Tommy went to Eddie’s house 3 times in two weeks and met Christopher. Christopher likes Tommy, he thinks he’s cool, and Eddie invited Tommy to Chris’ virtual birthday party. He’s the first love interest to not only get along with Eddie, but become friends with him outside of Buck (emphasised by 7x04 where Tommy tells Buck that his friendship with Eddie has nothing to do with Buck). The show makes their friendship very clear.

I’ll fully admit that Eddie’s friendship with Tommy was needed for the plot in 7x04, but beyond that, why was it relevant? It already made Buck realise he wanted to be with Tommy. They might’ve needed it for a plot reason but they’re friends afterwards too. Maddie calls Tommy “Eddie’s friend” in 7x05 and they’re laughing together in the hospital and getting alone fine in 8x05. Why?

Fitting Into Buck’s Life

Of course, this all culminates by saying Tommy fits into Buck’s life extremely well.

Tommy doesn’t have to go through the awkward phase of meeting all of Buck’s friends, because the only one he hasn’t met is Eddie. Tommy was previously friends with Bobby, Hen, and Chimney, they already know him. He’s already met Athena. Sure, they might have some catching up to do, but they already have a good history. They’re familiar. Again, Tommy already gets along with Buck’s friends outside of Buck.

Why was Tommy at the hospital for Hen’s son if he wasn’t integrated? Why feel comfortable going to Maddie and Chimney’s wedding? Even Buck makes the point of saying that Tommy is already going to know everybody there; he’s not just his date, he already knows them.

Tommy is friends with Buck’s friends already, Tommy understands the demands of being a firefighter and what it entails with the risks and the commitment. Tommy understands Buck’s friendship with Eddie and Christopher, and his dynamic with Bobby.

Intention (Conclusion)

This is all to say- this is intentional. If the point of the relationship was always to breakup, why have Tommy included in these scenes? Tommy didn’t need to be there at the hospital for Denny, but they wrote it in for him to join the 118 waiting. Bobby didn’t need to give his approval of Tommy on screen. It didn’t further his relationship with Buck nor the plot. It was written this way for a reason, and I think anyone can admit the actual breakup in the scene was abrupt, and it’s all of the above context that makes it even more abrupt.

I know it makes his relationship with Buck more meaningful, sweeter, more heartbreaking for Buck, but we never saw these moments with his ex girlfriends, particularly Taylor, and their relationship was solid until it wasn’t. If this unique treatment of Tommy was meant to put Buck through heartbreak then I offer a second question: what is coming up for Buck that requires him to go through heartbreak?

Why go through the effort of writing Tommy to fit in so well with Buck’s life if he’s only there to further a plot? None of Buck’s other LIs were treated like that, and they achieved the plot they needed to. So why was this different? Buck’s relationship with Taylor was a lot longer, and they lived together, but we never saw these types of scenes with her. Why? Why was this different? What was the point of making the relationship meaningful and different?

Again, this post is not here for people to argue. It should be clear to everyone, regardless of why you think so, that Tommy was treated different by the show than Buck’s other love interests. There must have been a reason, even if that wasn’t clear. Is something big coming up for Buck that he needed to be heartbroken for? Is it poor writing? Is Tommy coming back? There must be some reason that Tommy was treated differently by the writers other than “just because”.

[slytherinboysvip]

Imagine best friend Mattheo being absolutely obsessed with his innocent little Hufflepuff bsf but she just can’t tell. Everyone else knows, and it is quite obvious, but she just can’t think someone like him would want someone like her. But when she jokingly says she’s gonna get Cedric to take her virginity he decides it’s time he came clean.

Possibly with some soft smut if you are comfortable with it of course

bsf mattheo riddle x hufflepuff reader

hopefully this matches your request <3 i’ll most likely make a part 2 for this because.. you’ll see ;) 3.5k words

you lived a rather simple uncomplicated life, attending hogwarts as a hufflepuff with no interest in anyone’s drama. though you kept to yourself most times you tried to be nice to all your peers maintaining your classic hufflepuff demeanor, despite this there was one thing that was different about you.

you see, you didn’t see or understand why people don’t like other houses just because of “house rivalry” especially the students who weren’t even participating in any sports or point winning. and with this over your years though you had few friends you had one best friend who at first seemed rather impossible to be friends with.. mattheo riddle.

when you two met you were a fourth year and him a fifth, coincidentally you were going on to a few friends about your annoyance with people automatically assuming the worst of slytherin even though you yourself weren’t in their house or nearly like one. mattheo overheard this heated- adorable voice coming from behind him and he walked towards you carefully.

he sat down in front of you beside your friend as she gawked faces towards you at his presence. “you don’t think we’re too mean, huh?” he questioned small laugh leaving his lips. “i just think that some people are misunderstood and just because some wizards turned out bad doesn’t mean all of them in your house are” you looked at him answering his question with ease

he smirked in amusement and leaned a little closer to you “hm, hufflepuff eh? what year are you puff?” he sat back examining you and you didn’t fail to notice that nickname he slipped in “fifth year but i have an early birthday which is annoying because i could technically be out sooner” you sighed ignoring his staring.

“well, seeing as it’s ravenclaw against gryffindor do you wanna watch the quidditch game with me i know the best view” he stood up and held his hand out for you, you look towards your friends and they’re both nodding their heads for you to go so you did.

from that point on you and mattheo had been best friends, sadly he was in his seventh year and now you in your sixth nothing much had changed in your life. living vicariously through mattheo and his stories about slytherin parties and how you should go to one with him before it’s too late, he’d tell you about his sexual adventures and your jaw would drop everytime.

you yourself also confided in him though with much less interesting things, telling him how you feel unlikeable by guys sometimes because they never try to get or talk to you, or how you feel lonely because you’ve never had a a boyfriend before. hed always help soothe the thoughts away, telling you that it’s only your brain making those things up , “listen y/n, anyone who doesn’t love you is fucking insane”.

𓆙

talking to your friend zarah who’d been there since day one you always told her what you told matt, for the most part. “i just don’t get why nobody is interested in me zar, like am i genuinely that ugly” you plopped onto your bed sighing dramatically. “you’re not ugly and if you think no guys want you you’re blind i know one in particular that really, really wants you” she giggled.

you looked at her with a confused expression “i must be missing something because i have no idea who you’re talking about” you awaited her response and she just rolled her eyes and sighed “girl your practically boyfriend of a best friend you do everything with” she gave you a duh look and you just laughed. you genuinely couldn’t believe she’d even think he’d like you especially with all the girls he’d been with, “you’re hilarious, we both know he doesn’t want me he wants all the girls he tells me about” you started to compose yourself but zarah’s expression didn’t change.

“you literally must be blind y/n do you need glasses? or should i say puff? let’s talk about how that man hasn’t stopped calling you that pet name since you’ve met.. he’s in love” she rolled her eyes raising her hands in the air. “i still don’t think he wants me so there’s no convincing me” you shrugged her off and she groaned getting up and leaving your shared dorm.

𓆙

“puff you gotta come to this party, slytherin won agains gryffindor i just know this is gonna be the party you want to go to pleaseee” mattheo put his hands on your shoulders shaking you “fiinee” you attempted to answer between shakes before he let you go “if i would’ve known it was that easy i would’ve done that years ago” he rolled his eyes.

“anyways it’s tonight at like 8 so i’ll just get you from your dorm at like 7 do you think they’ll let me in? actually what’s the password?” he didn’t give you time to finish any of your sentences before you just gave him the password “butterscotch” you whispered, in response mattheo laughed “fucking butterscotch merlin that’s hilarious” you looked up at him and rolled your eyes walking away.

“i’ll see you at 7 puff” he yelled across the hall and you just gave a thumbs up and continued walking. you honestly were quite nervous seeing as you’ve never necessarily been to a party before, you’ve made small appearances at hufflepuff parties but you’ve heard they don’t even compare to slytherin.

making your way into your dorm you spot zarah and you pull her up from the common room couch “i finally said yes to a party need help now” you quickly mumbled and she quickened her pace “when does it start girl i need the info right this second come on you’re talking too long for me” she rushed and you blurted it all out “8pm he’s getting me at 7 he has the password he will be at the dorm” closing the door behind you two you both stopped to catch your breath

“sooo is it a dateee” she shimmied her arm on you winking “i already told you he doesn’t like me!!” you replied to her relentlessness. “ugh whatever we need to get you ready girl it’s already six” she pushed you onto your shared vanity chair and pulled out all of your makeup and a few things of hers, “creative control?” she asked smirking at you “mm fine but not too much” you agreed “we’ll see” she giggled.

after around 30 minutes she finished your makeup and she showed you the finished product, looking at yourself in the mirror you thought how you never would’ve put on red lipstick yet you feel really good in it. she gave you a small smokey eye and a small winged liner and you felt you looked more aggressive then you were, but you kinda loved it.

“it’s so much but so pretty” you admired yourself and the makeup she put on you slowly getting used to the feeling of fake eyelashes on your eyes. “i’m so glad you love it, but we need to find an outfit like three hours ago” she joked and rushed to your closets “i actually have the perfect dress in mind if you’re feeling the want to rep slytherin green” she raised her eyebrows up at you in a suggestive matter “sure why not” you shrugged

she handed you a velvet body con forest green dress that you were sure was going to be extremely short and you mean in every place. she held it up onto you “this will be perfect. get it on come on” she rushed you into the bathroom and you began putting it on “this is sooo tight” you called out as you struggled “oh i forgot it was a corset back wait i need to help you can i come in” she yelled through the door

“yeah come on i need this thing one me already” you struggled more as she walked in and immediately began to help you loosening the strings of the dress and pulling it down onto you “there we go now suck in like your life depends on it” she said half jokingly and began retightening the corset back. with every pull it felt like your chest was spilling out more and more and your ribs were shrinking “okay merlin that’s enough before i can’t breathe” you huffed and she stopped tying it off in a bow

“stop you look so hot y/n i bet matt will be drooling” she teased and you just rolled your eyes “what do we do with my hair��� you looked at her with horror as you only had ten minutes before he should arrive. you quickly began curling your hair not really caring if it was messy just giving it some body and just as you were spraying perfume on there was a knock on your door.

zarah looked at you and whispered “answer it go go now” she pointed to the door like she was afraid to touch it herself and you walked over opening it to see mattheo in an all black button down with the top few buttons undone and black dress looking pants yet somehow he didn’t look overdressed. he didn’t say anything for a minute he was just staring at you looking up and down in awe “holy fuck y/n who did your makeup you look woah” he put his finger on your chin moving your head around examining your makeup

“zarah isn’t it pretty” you smiled and he removed his hand and replied “yeah you are, now let’s go” he grabbed your hand and you looked behind you waving bye to zarah “he’s so in love with you” she whispered before the door slammed closed.

𓆙

once you got the the party you noticed there were already many slytherins already pregaming and mattheo brought you two to them, “let’s get some alcohol in you little puff” he winked and poured you a shot of who knows what, you smelled the foul drink and it made your nose burn “come on do ittt” he cheered on and you held your nose throwing the shot back gagging at the taste. “how do people enjoy that” you made a face at him “like this” he replied taking two shots himself, “now catch up” he winked pouring you yet another

“if i didn’t know any better id say you’re trying to get me drunk matt” you laughed and he looked at you amused “obviously that’s what im trying to do it’s a party” he put the shot glass to your lips and you parted them taking the burning substance down your throat, “eugh that didn’t get any better the second time” you shook your head in disgust. “hm, let me make you an actual drink” he grabbed a clear liquor and a red juice mixing them together adding more alcohol than your past two shots and handed it to you

“matt this smells foul” you looked up at him, “just try it trust me the slytherins have the masking drink down” he winked and you reluctantly took a sip, and to your surprise all you tasted was juice. after taking another few sips you quick began drinking it and mattheo pulled the cup from your lips “slow down there this shits dangerous you’ll get so drunk you won’t be able to walk straight” he chuckled. “it’s not my fault they made it taste like juice” you shrugged still sipping.

“hey mattheo have your little hufflepuff take some shots with us” enzo threw his arm around your shoulders and mattheo pushed them off almost immediately “no she doesn’t need any shots” he spoke “you didn’t even ask me” you protested, granted you didn’t necessarily want to take any shots you just didn’t like being talked for. “oo are you sure you’re not slytherin you got an attitude” enzo laughed handing you a shot and you looked at mattheo who rolled his eyes as you took the shot.

throwing the shot back the burning sensation took over your throat and you could feel it rushing down your throat. you coughed a bit and chugged your drink for comfort “puff you’re going to get shitfaced slow down” matt fully took your cup this time and you were already feeling it. giggling looking up at him “okay now who was going to tell me party’s are fun” you continued giggling.

the music started playing and the slytherin common room was now getting more and more packed. you saw fifth year students and up in here, even a few ravenclaw and hufflepuffs your recognized. to your surprise in the corner of the party you spotted cedric diggory talking to a group of girls holding a drink.

pansy noticed your head being stuck in a certain direction and followed your eyes “oh em gee, someone’s got their eyes on a certain hufflepuff” she winked shoving her shoulder at your “shhhhh he’s just nice to look at” you giggled at her and she giggled along “you two would be soo cute” she added dragging you back to the drinks

“let’s take some shots!” she exclaimed handing you two , you took them smiling and shot them back with her, a woo leaving her mouth. “here chaser, chaser!” she shouted handing you another drink this time what looked like a lot of the punch, downing it all she laughed “girl we’re gonna be gone”. looking around you were seeing doubles of everything but didn’t want the night to already end.

“so, are you a virgin?” pansy shouted over the music making your already alcohol flushed face even redder “pansy!! you can’t just ask that!!” you shouted back flustered at the intrusive question, “i’m only curious girl” she giggled and gave you begging eyes “come onnnn” she shook you till you gave in “fine yes i am but don’t tell anyone!” you replied back as lowly as you could over the music

“who would you lose it to?” she giggled “i lost mine to blaise hehe sshhhh” she winked, considering she just told you her secret you felt obligated and just looked around “i mean i guess cedric” you giggled as she pointed at him after your response. before she could say anything else you felt a pair of hands wrap around your waist and drag you off. trying to kick your way out was useless and they brought you to an empty dorm.

through all of this you couldn’t tell who it was kicking and screaming for them to let you go till you heard mattheos voice “puff calm down it’s just me” he sighed putting you down on what you now assumed was his bed “why did you bring me in here that was so scary” you huffed trying to gain your composure. “diggory?” he scoffed not answering your question.

you looked at him confused as to what he was on about “what do you mean? what about cedric” you cocked your head to the side in confusion “you lost your virginity to him??” he questioned stepping closer to you looking rather.. pissed. you just laughed in response “me? lose my virginity to cedric?.. you’re funny” yeah you fantasized about it but it certainly wouldn’t happen.

“what were you talking to pansy about then??” he looked at you unconvinced, “she asked if i lost it and i said no, but id let him take it.-“ you shrugged “besides you know i tell you everything matt i’ve never even had a boyfriend let alone a guy be interested in my virginity” you sighed laying back onto the bed now feeling upset.

you heard mattheo sigh and you picked your head up to look at him, his eyes stared back at you in silence before breaking it “believe me there’s a lot of guys who want to get in your pants” he rubbed his fists and you gave him a confused expression yet again “what are you on about matt?” you were getting sober just from all of this extra mystery.

he walked over to the bed sitting beside you, “listen when we met you were just.. blooming completely and i would be lying if i didn’t say i first went up to you because of your looks.. well overtime you know we became friends and i noticed other guys staring in ways they shouldn’t have been so i had to teach them a lesson.” he looked at you and yo didn’t know how to respond to something like that.

“what exactly are you saying matt?” you didnt understand what he was poking at, did matt mean to say he basically likes you? were you reading too much into this? “look y/n, no one else in this school fucking deserves you. hell i don’t deserve you but i know i can treat you how you need. don’t ask me what took so long to confess to you y/n, but do you feel even remotely the same?” he let it all out quick and fast, and your mouth dropped.

“you want.. me?” you looked at him in disbelief and he just smiled “that’s what that whole speech was about, yeah” he chuckled nervously awaiting your reply “why?” you sighed still slightly unconvinced “have you fucking seen yourself puff? you’re so undeniably gorgeous, i don’t know how i hold myself back from you everyday” he leaned in closer to you making this all seem more real. without thinking you allowed yourself to lean into him, faces and lips meeting for the most magical first kiss you could’ve ever imagined.

“you’re so fucking beautiful y/n” he grabbed your face pulling you closer to him till you straddled over his lap sitting down continuing the now makeout. “this is so much better than.. imagined” you huffed through the kisses. you could already feel mattheos member growing beneath you and you never thought you’d be the one experiencing this from your best friend.

you’d be lying if you didn’t admit to a fantasy or two about him in the past but this was already one thousand times better than ever imagined. mattheos lips kissed their way down your neck leaving small marks tiny moans leaving your mouth, “i need to hear more of that, y/n, let me eat you out.. please i need a taste” he continued his kisses along your neck bringing them back to your lips “i’ve never- mm yes” you replied as his fingers began making circles over your underwear.

“you sound so good fuck” he groaned pulling you off of him and getting off the bed, “you’re sure of this?” he questioned one last time and you just nodded impatiently awaiting his next move. next thing you knew he was yanking you to the edge of his bed and slowly removing your pants and underwear looking up at you from below. “holy fuck puff.. you’re fucking soaking” he breathed out over your pussy sending tingles down your spine.

without warning his mouth met your untouched area and you felt things never imaginable. his tongue made its way around your bulging clit, flicking it up and down and making his way to your entrance sucking and licking “you taste so good holy fuck” he huffed going right back in not even looking up at you, “can i put two fingers” he spoke from your pussy and you couldn’t even properly answer “mm y-yes” you replied between your moans.

you felt his slender fingers teasing your entrance and he slowly began inching one in and out teasingly, “mattheo-“ you huffed and he chuckled shoving both fingers in, loud moan escaping your mouth and this new feeling. he did a few different moments trying to figure out what makes you moan the most, soon his tongue was sucking expertly on your clit as his fingers twisters and curled inside of you.

“matt i want to.. try” you moaned at this pleasure wanting nothing more than to feel him inside of you now. “mm but you’re not ready yet puff” he continued devouring your pussy simply divulging in it as if he’d never eaten anything before. his pace on everything quickened and you were already near your own orgasm, “if you don’t s-stop i’m gonna cum” you moaned loudly trying to control yourself.

“let go for me sweetheart” he sucked harder on your clit, the nickname and action forcing your orgasm to flood over you harder than you’ve ever been able to make yourself experience. your body was shaking and you couldn’t hold your reactions back, mattheo slowly licked your gushing area clean before standing up “mm now i think you’ll be ready soon” he smirked leaning down over you, grabbing your chin and giving you a kiss.

[joequiinn]

The Dos & Don'ts of Fake Dating | E.M. x reader | epilogue

[chap seventeen] | [all chapters here]

Story Summary: You propose a crazy idea to the resident freak of Hawkins, Eddie Munson. But maybe he was even crazier for agreeing to it…

notes & tropes: fem reader, slooow burn, faking dating, opposites attract, bratty rich bitch reader, super minor revenge plot, dysfunctional family dynamics, idiots-to-lovers, smut & nsfw themes

a/n: Well, we've finally made it, everyone, and I'm feeling emotional about it. This epilogue is just a lil something I thought up while I was considering what the future would hold for Eddie and ice princess, and I love it dearly.

wc: 3.2k

Epilogue

September 1985

I want to be somewhere big and interesting. New York, L.A.… fuck, even Florida for all I care, I just want out of Hawkins, out of this town.” “Then I guess we’ll be those high school sweethearts that run off to L.A. together after graduation, huh?” “Oh, I’m sure.”

September 1987

Eddie should’ve been home by now. You’d memorized his work schedule within his first week of starting at VIP Records, so you knew his shift always ended at 6pm on Tuesdays - so where the hell was he? It was nearly 8:30, and you’d been getting more and more antsy as the minutes ticked by, worrying over what could possibly be delaying him like this.

So much had happened in the two years since you and Eddie began dating back in Hawkins - your world had changed so much that sometimes you felt like a completely different person. It started with some big things, like reintroducing Eddie to your parents and begging them to start fresh with him - though your father resolved to never show any warmth to your boyfriend, at least your mother was kinder.

You decide that you wouldn’t be going to college following graduation, instead wanting to take a year to work, which was yet another thing your father didn’t warm to. Somewhere amidst that decision and the subsequent string of arguments that followed, you found yourself spending more nights with Eddie and Wayne than you did with your own parents, until one day you realized you had informally moved into the Munson home. So, by the end of summer ‘86, you were out of your parents’ house and working full-time to save up for whatever may come next (and to pay rent, despite Wayne’s insistence that it was entirely unnecessary).

You weren’t sure who proposed the idea first, but you and Eddie had decided one day that you were going to move out to California. Initially, this was just some fantasy for the two of you, something to give you hope that you’d hightail it out of Hawkins one day, but over time that fantasy started to look more and more real until finally you agreed that maybe the idea wasn’t half bad at all.

So, you began to set aside more cash, began to look into neighborhoods and cities around Los Angeles, began to tell everyone that the two of you would be leaving town soon enough. No one really believed you at first - all your friends were in support of the idea, but they didn’t think it was particularly realistic. And when you mentioned it on one of the very rare occasions you saw your parents anymore, your father had the gall to laugh right in your face. That, of course, only bolstered your resolve to get the hell out of Indiana, and a lot of your freetime was slowly consumed with library visits to figure out how exactly to make this move happen.

You and Eddie finally made the leap a few months back, spending a couple weeks road tripping your way across the country, finally arriving in Los Angeles with only your most important earthly belongings and little else. Leaving Hawkins had been harder than you expected - leaving Wayne being the hardest - but you found California to be utterly refreshing, to fit you almost like a glove.

After living out of a hotel for a while, you found this cozy little apartment down in Long Beach, and you’d been content ever since; sure, it wasn’t perfect and the neighborhood wasn’t impressive, but it was your space, and that made it just right for you and Eddie. You both got jobs to hold you over for a while, you started visiting bars and venues, hell, you even found a stray cat that you quickly adopted without a second thought.

You’d been leaving the dollar theater after seeing a re-release of Labyrinth when the little calico found you - something about the film, and David Bowie, had totally mesmerized you when it came out the year prior, and Eddie was happy to take you to the special showing that night. So, when this cat approached you curiously and began weaving playfully between Eddie’s ankles, you were both immediately smitten. You named the cat Sir Didymus only to discover it was female a few weeks later, but it suited her rascally personality just fine, and thus her name stuck.

And now here you were, five months into your new California life and driving yourself crazy over where the hell Eddie was and why he was late to return home.

You called the record store and asked if maybe he was working late and forgot to mention it, but his coworker informed you that Eddie clocked out right on schedule; he mentioned that Eddie seemed eager to leave, but didn’t have any further information for you. On the one hand, it made you worry that something had happened, but on the other, you were annoyed that he had possibly made plans without telling you, as unlikely as that may be.

You’d tried to think of all the places in town that he could have gone to, but nothing seemed particularly viable - he wouldn’t have gone to a show without you, wouldn’t have gone to the store without you, wouldn’t have gone anywhere without you. Not unless he was keeping some kind of secret, but you couldn’t fathom what that might be.

Considering that today was your birthday, you had originally thought maybe he was making a special stop to get you flowers or a cake or a last minute gift; it was so like Eddie to do that, even after you insisted he didn’t need to get you anything at all. But once 7 o’clock hit, and then 7:30, and then 8pm, you began to doubt this original line of thought and assume the worst instead. 

Decidedly, a few minutes past 8, you’d thrown on one of Eddie’s sweaters and your shoes, and made the short trek down to the convenience store on the corner - the two of you were in there practically every day, so maybe one of the employees had seen him. The familiar night clerks greeted you, but when you asked about Eddie’s whereabouts, they didn’t have a clue, which made your worries grow even more. As if to put your mind at ease, they gave you a free 6-pack and said they’d call you if they saw him.

You returned back to the apartment to Sir Didymus crying for dinner, which made you realize you forgot to set out food for her earlier. Cursing to yourself, you filled her bowl and began to pace nervously, trying to consider where the hell Eddie could be. Did you forget about a show that he had previously mentioned? Or was he hit by a fucking truck? Maybe he got caught up chatting with a customer like he was one to do, or maybe he got fucking mugged. All possibilities were on the table, and you hated each and every one of them for causing you such worry and distress.

Prying open a window, you crawled onto the fire escape and lit a cigarette, hands shaky with anxiety as you pressed it to your lips. The night was relatively quiet for your neighborhood, which wasn’t saying much - there were always cars cruising up and down the road, music blasting from a nearby bar, and people constantly arguing in alleyways and backyards. But the noise was soothing in its way, reminding you that the world was constantly in motion and that Eddie was probably just caught up in it all.

Sir Didymus came to sit beside you, meowing as if she, too, was wondering where the hell Eddie was and why he wasn’t back home. You considered throwing on some clothes to go searching for him, but aside from the bar and the convenience store, there was nowhere in the area that he would be; moments like these made you wish you two hadn’t sold your car, because it would’ve been really convenient to have right about now.

Each time you heard tires screeching or saw headlights shining down the road, you craned your neck to get a better look, but it was never Eddie. You’d already nervously polished off two cigarettes and were lighting up a third; Sir Didymus had retired to sleeping on the pile of blankets that she commandeered within a few days of moving in.

As you were caught up in your anxious thoughts, you thought you’d heard metal music from somewhere nearby, muffled and far off, but it caused your ears to perk; when you realized that it was specifically a Dio song playing, you immediately shot to your feet, clambering back through the window while dropping your cigarette into the ashtray.

Without bothering to slip on shoes, you rushed out onto the breezeway connecting all the little apartments in your complex, gripping the rails as you tried to find the source of the music, which was obviously louder from this side of the building. The street in front of your complex was crowded with cars, so if the music was Eddie’s, he must have had to park way down the block; eventually, the music stopped, and you became more anxious by the second.

When finally you spotted Eddie walking up the sidewalk towards the gate, you all but rushed down the stairs to meet him halfway; Eddie smiled largely, clearly not able to make out your concern under the flickering lights illuminating the path. A glare grew in your eyes as you realized he looked just fine; in fact, it seemed he stopped by the store, if the grocery bag in his hand was anything to go on. He held up his arms to greet you, but before he could get a word out, you hissed while jabbing him in the chest.

“Where the hell have you been?” Your eyes were alight with panicked concern, and you didn’t realize until that moment that you were on the verge of relieved tears. You swallowed, determined to hold them back, “It’s almost 9 o’clock, Eddie, I was worried out of my fucking mind.”

Eddie’s face fell, arms drooping at his sides; he didn’t expect you to have gotten so worked up over him not returning on time. He thought he could surprise you, that he could do something nice for your birthday, but the utter panic in your expression told him otherwise. He dipped his head down towards yours, hoping that he could sooth all the stress that had bubbled up inside you.

“I should’ve called--”

“No shit.”

Eddie clenched his jaw a little, taking a breath - he wasn’t about to get upset with you, he wouldn’t let himself, “Let’s go upstairs, okay?”

The impulsive side of you wanted to argue with him right here and now, wanted to grill him about why he didn’t come home and what he was doing. The more patient part of you, however, held back, shaky breaths heaving in your chest as you nodded with a twisted expression. You spun around on your heels and marched up the stairs, crossing your arms with a scowl; Sir Didymus sat just outside your open door, curiously waiting for you both.

Following just a step behind you, Eddie sighed to himself as he took in your rigid posture, realizing that he should’ve thought this through - after all, since your move to Long Beach, the two of you were essentially attached at the hip, doing absolutely any and everything together. Of course you would worry when he didn’t come home, when he didn’t call or give you a heads up - but, again, he’d just been hoping to surprise you, and hadn’t considered that a few hours would get you as stressed as you were now.

Back in the apartment, you took large strides towards the open window and retrieved your cigarette from the ashtray. To calm yourself down, you began to pace, watching as Eddie closed the door behind him and waited there a moment as if to collect his thoughts; when he turned to face you, you quickly looked away and took a deep drag.

“God, Eddie, I’m trying not to be mad, okay, I was just so worried and I thought maybe there was something you were keeping from me or that maybe you were in an accident or even dead in a fucking ditch, and I know it’s ridiculous to get so worked up over only a few hours but--”

“You can be mad.” He interrupted the inevitable rambling that was about to commence.

You had always struggled to express emotions considering the household you grew up in, so these past two years with Eddie had been a learning experience for you, which led to your feelings often spilling over when they became overwhelming. You shot him a confused look, still struggling to this day with the idea that it was okay to feel something; you bit your tongue so that you wouldn’t keep babbling, trying to collect your thoughts.

“I should’ve told you where I was,” Eddie started, walking the short distance from the front door to the kitchen, gently dropping the grocery bag atop the counter, “but I wanted to surprise you.”

You laughed smally, feeling stupid for getting so worried over seemingly nothing. Shaking your head, you took a deep drag from the cigarette and turned to face the window, eyes unfocused as you looked around. You dropped your head, beginning to feel more and more stupid the more that you thought about it; you could hear Eddie coming up slowly behind you.

“Get out of your head,” He instructed gently, to which you laughed again, “You’re probably already kicking yourself, am I right? As if you did something wrong?”

You narrowed your eyes at his reflection in the window - fuck, he knew you too well. Slowly, you turned to face him again, but you kept your gaze on the floor. Eddie took another couple steps closer, waiting for you to eventually look up at him.

“I’m sorry, princess.” He said simply, and the pet name nearly caused you to smile fondly; even after all this time, it stuck, and you figured it wasn’t going anywhere. You could tell in his voice that Eddie saw you resisting to grin, “I should’ve called, I just got caught up in the surprise.”

The corner of your mouth pulled up, and you looked at Eddie carefully through your lashes; his smile was gentle and sweet, eyes far more adoring than you thought you really deserved. Swallowing your trepidation, you asked smally, “What surprise?”

Eddie’s smile grew larger as he cocked his head, “Your dual birthday-anniversary surprise.”

You couldn’t help but roll your eyes, relief slowly relaxing your shoulders as you took a final small inhale of the cigarette before tossing it out the window, “My birthday is not our real anniversary and you know it.”

You smiled fondly at the memory of meeting each other at that picnic table behind the football field, at the crazy fake dating scheme you had that ultimately led you to where you were now. It felt like a lifetime again that senior year happened, and yet it still felt as if it was only yesterday.

“So maybe we have two anniversaries.” Eddie teased fondly, his eyes taking you in as if you were still a breath of fresh air to him. Under those soft, adoring eyes, you could feel your ears growing hot even still.

You sighed affectionately with a shake of your head, crossing your arms as a gust of wind came up through the window; being near the beach, the air was always unexpectedly cold at night. As you took in the always pleasant sight of Eddie, you realized he had a bandage just above his collarbone, which caused your brow to furrow with concern as you looked between it and his face.

“What happened?” You asked, closing the gap between you two so you could worry over whatever the hell was on his neck; you wondered if maybe he nicked himself shaving, but the bandage seemed far too large for that. Did he hurt himself at work?

As you reached for the bandage, Eddie laughed, capturing your wrists in his hands before you could touch his neck. You met his eyes with confusion, to which he simply shook his head.

“That’s the surprise.”

Your expression deadpanned, “You getting hurt is the surprise? Geez, babe, how romantic.”

Eddie laughed again, fondly rolling his eyes, “Not hurt in the way that you think.”

Clearly enjoying your confusion, Eddie released your grip and reached for the bandage, hissing a little as he tried to gently peel it off. Your jaw dropped in both surprise and confusion at the injury beneath it, not prepared for what it would be.

It was a tattoo, though that wasn’t the surprising part, considering that Eddie was slowly becoming covered in them. No, what took you aback was that the tattoo was quite clearly your lips, done in a shade almost identical to the lipstick color you’d been trying just the day before. You stared dumbly at it, as if you couldn’t quite compute it, as if you didn’t quite think it was real.

When you finally managed to draw your gaze back up to Eddie’s face, he was smiling from ear-to-ear, eyes twinkling with clear delight at your stunned expression. You opened and closed your mouth a couple of times as you tried to find your voice again, eyes rapidly looking back and forth from the tattoo to his face and back again.

“You… got a tattoo for me?” Your tone was one of disbelief; saying it out loud made the moment more real, and suddenly your throat felt tight as if you could cry.

Eddie nodded with pride, “You like it?”

You stared at the replica of your lips, recalling the evening prior when you’d been testing out make-up samples that you’d gotten from work. Eddie always enjoyed watching you apply make-up, and of course lipstick was his favorite part; when he commented on a shade that he seemed particularly fond of, you leaned over and planted a loud, silly kiss at the base of his neck.

Considering that you crawled out of bed hours before him to get to your shift at the make-up counter, you didn’t see whether or not he’d ever cleaned the lipstick off; evidently, he must have worn it like a badge of pride all day until he could finally get down to the tattoo parlor and make it permanent.

Shaking yourself from your reverie, you looked at Eddie lovingly, your eyes a little more wet; god, you’d gotten so much more emotional since he entered your life, it was nearly ridiculous. Or maybe you’d just become more vulnerable, far less skilled at holding back when it was just the two of you alone.

You cupped his cheeks gently, being extra careful not to go near the fresh tattoo, “God, I love you.”

The smile he gave you was dazzling, mesmerizing even, “I love you, princess.”

You drew his lips down to yours, resting your forehead gently to his; Eddie hummed contently, whispering a tender “happy birthday” against your lips before kissing you fiercely.

.

.

addt. a/n: I'll try to keep this short and sweet. Thank you to everyone who has read this fic and watched it grow, to those that have been commenting and messaging with each update, and to all the incredibly fic writers I've met through this story! And, of course, a HUGE THANK YOU to my dear @eddiernunson for being so invested - you've helped me developed so many ideas, and it's truly warmed my heart to see someone else love the ice princess as much as I do <3 If anyone would like to be tagged in any future outings these two may have in store, please let me know!

@3rd-conchord @a-queen-blr @adelalaaa @adversary713 @avalon-wolf

@costellation-hunter @daisy-munson @daisyridleyss @damon-loves-pie @damp4eddie

@dreamerjj @eddiernunson @feralgoblinbabe @frogtape @fromasgardandback

@fckyeahlames @graciehams @kellsck @kthomps914 @littlexdeaths

@lotrefcp @love-anonymous-writer @marrowfrog00 @maskofmirrors @mewchiili

@miaajaade @miss-celestial-being @mmmunson @moonisu @munsonssweets

@no-bueno-writer @nxrdamp @ollieolive @rach5ive @sapphire4082

@sav12321 @seatbacksandtraytables @sheneedsrocknroll92 @steeldaisies @stormgrl19

@teethvenom @tvserie-s-world @twihard28 @urlivingdeadgirl @v1per1ne

@wefracturedmotivation @welcometohellsock @whats-my-question @xxsxdghxstxx

[vidavalor]

Hi @masnadies & friends! I don't really have a literal map, just an idea of where I think things are from what we've seen in S1 & S2. I love @mochacoffee's map & think that it makes sense that a ton of the space in the upstairs rotunda is shelves of books-- particularly, the bit visible from the main part of the shop downstairs-- but also that there are rooms up there, as we saw in S2. Aziraphale designed the shop as a space for him and Crowley so I think there's actually a lot of intentionality behind it. I've had some thoughts on this for awhile so I hope you all don't mind me sharing them here.

Some ideas on what rooms might exist and where they might be in the shop, how the threshold/invites work based on what we've seen, and what new room in the shop I would bet is going to be in The Finale. Also, what the story purpose in making the shop mysterious enough that we're having these conversations might be.

Design-wise, I think that the whole interior of the bookshop is built to look to any angels that might enter the front door like it's nothing but a bookshop that is a cover for the angelic embassy. Aziraphale only has the embassy so he can have the bookshop, which is really a cover for having as close to a house as Aziraphale had been able to manage while being a working angel. The way they are using the bookshop as a metaphor for Aziraphale (and for Crowley and Aziraphale) and its design tells us a lot about Aziraphale and his relationship with Crowley. What we have been allowed to glimpse of the bookshop-- and when, and in what order-- is very much intentional and part of both the design of the story and pf Aziraphale's design of the shop, imho.

In S1, the show uses the bookshop metaphor for Aziraphale by focusing more on Crowley's relationship with the bookshop than on Aziraphale's relationship with it. Each episode gives us more and more information regarding what level of access Crowley has to the shop that is symbolically Aziraphale as a way of slowly showing the audience the depth of the intimacy of his and Aziraphale's relationship.

In 1.01, we see Crowley feel safe for the first time in the episode when he and Aziraphale are in the bookshop. We see him on his couch, their familiar setup and being able to speak freely and have some privacy in the shop. Crowley's glasses come off for the first time in the minisode. It's the setting of the bookshop that helps to establish how close they are from the jump of the story. Each subsequent episode, though, begins to unfold that even more.

When the shop goes on fire, we find the doors will open for Crowley-- basically, that he has a key to Aziraphale's place. When Crowley goes back to the shop in Aziraphale's body during the body swap, we see him able to identify which books in the shop weren't there before Adam adjusted reality-- telling us that he spends so much time in the bookshop that he knows every detail of it. When he meets Aziraphale in the park afterwards, he tells Aziraphale that the bookshop is just as it was, with not a single smudge and everything in the same places that they always were.

While we just saw Crowley on the ground floor of the bookshop, this comment-- delivered while he's literally in Aziraphale's body, for fun symbolism-- is saying that Crowley has unfettered access to the entire bookshop and knows the whole place so well that he knows everything in it, everywhere, by heart, and could tell if anything was amiss in the shop. He knows his way around every room in the bookshop and has permission to go into any of them that he wants because they're basically his, too.

So... Crowley, while in the midst of the sexual metaphor that is the body swap, is seen telling Aziraphale that he went through their entire house and everything is fine, and this is not a conclusion that Crowley could have drawn without having gone into Aziraphale's bedroom-- and without being familiar enough with it to be able to tell if anything is amiss. This is the end of the steady progression of information about Crowley and the bookshop throughout S1 and it comes when they're in each other's bodies, ahead of the romantic Ritz finale.

In S2, we start to see a little more of the shop but what of it we see is reflective of the conflicts happening in the story, as it would be, right? First, we find out what's behind the door of the room behind Aziraphale's desk that remained closed in S1 and it's a subtle but potent reveal-- it's a room being used like a massive storage closet.

It's Aziraphale's actual backroom, not the office to which he brought Gabriel and Sandalphon in S1, which is built to be a place to which he can bring a visiting angel. This backroom is painted the color of Crowley's eyes and is a hodgepodge of random things that are being stored back here without a shred of the structure of the rest of the shop. While Aziraphale's bookshop is cluttered in a good way, that isn't what's happening in the backroom we see in S2. There's an open privacy screen in the corner that seems to be blocking off nothing. There's furniture and books just kind of pushed into the room-- random lamps. A chair just kinda stuck in there near the door. It's a storage unit, basically, and not a room that is in use, and it looks like it's holding things in limbo for a future that may or may not happen. It's stuff that belongs to he and Crowley that neither want to give away but that neither have room for in their lives at the moment. It's a total holding pattern of a room and Muriel bursting into it is literally the (literal) closet door being broken down by the supernatural cops, right?

In S1, the bookshop itself is essentially their closet but, as the supernatural characters like Gabriel and Muriel keep pushing further into the shop in S2, even as Crowley and Aziraphale wind up stopping hiding their relationship in S2, in the first half of it, we have this closet room representing them trying to try to find a space to talk openly in their own house during the chaotic week they're having.

Then, we see use of the home bar space in 1941 a bit, and this one is really interesting. While we saw this space in the present in S1 while Aziraphale was trying to figure out how to tell Gabriel about the antichrist kid mix up, now we see Crowley and Aziraphale using it and see that this table that Aziraphale keeps clutter on during the open hours is basically the dining room of the bookshop. It's positioned so that it's not in direct view from the front door of the bookshop-- just like how Crowley's couch is tucked away from immediate view of the door by the bookshelves.

If you look at the front of the shop-- everything between the front door and the cash register counter-- it actually does look like a little bookshop in its own right. The display tables and shelves and stacks of books along the wall. These are probably the books that Aziraphale can part with, if he absolutely must lol, and is really the only part of the shop that is truly the bookshop. Pretty much this bit below and the bookshelves where Crowley pulled the Jane Austen book that is on our right out of sight below:

Because the bookshop is metaphorically Aziraphale, I'm of the opinion that, technically, basically anyone can theoretically get through the front door. Humans are obviously kept away by locks and closed signs and restricted to business hours (whatever Aziraphale feels those are at any given moment lol.) The supernatural characters, though... The threshold, as Shax discovered in S2, is not actually the front door. Likely symbolic of how Aziraphale will give anyone a chance. The threshold is proven in both seasons to be the cash register counter-- the point at which what is meant to look entirely like a bookshop is really becoming Aziraphale's house, whether it seems that way to others or not. But, still, it means everyone can theoretically get into the entryway, right?

So, how do Crowley and Aziraphale have any privacy if the supernatural beings can all get through the front door?

Because they have found a way to exploit the angels and demons' dislikes of one another to get it.

Technically, the bookshop is an angelic space and an angel could demand entry to it and there's nothing Aziraphale could do but allow them to go wherever they wanted. This is the one weak spot because, while the demons won't want to deal with an angelic space and will just stay away, the angels are a different matter. Even if they cannot get past the cash register area without an invite, they need to believe like they have control over the space in order for Aziraphale to be able to keep it. So, why do the angels frequently turn up at the door asking to be let in, even if the vibes are very much that they feel it's sort of dumb that they have to ask and Aziraphale knows he has to say yes? Why don't they just go through the door?

Aziraphale out-psyched them, basically.

He told Heaven the truth-- the threshold to the shop is not the door but the cash register counter-- but he also told them that they were all going to make sure that the demons in Hell thinks the threshold is the front door. He told them that this is how they'll keep the embassy secure because, it being an embassy, they might have to allow a demon in during the daylight for spiritual counseling towards the light (the excuse for Crowley being seen sometimes entering the shop during business hours) but they can't just let a demon have unfettered access to a heavenly space-- that would be unseemly!

So, that's Aziraphale's argument for the threshold in the first place-- he needs control over the embassy space in order to protect it for Heaven and not just let these demons wander around in it unchecked. But he's made it so that Heaven thinks they're getting one over on Hell by making them think they're all in on the joke but that, for security purposes, they need to keep up the charade. They've all been told that they're supposed to go to the door for an invitation so that, if any demons are watching the place, they won't get suspicious that the door isn't really the threshold.

Crowley is keeping this going with the demons in S2, as well, when he leads Shax to think that the threshold is the door before she figures out he's lying during the bookshop attack. He also lies about his ability to invite people in, implying that only Aziraphale can, which we see later is untrue. Technically, anyone that Aziraphale has invited in can invite in other people behind them, which is how Maggie ended up inviting in all of the demons during the bookshop attack, and also why Crowley reminds Gabriel not to let anyone in when he rushes out of the shop after Shax while Aziraphale is in Edinburgh.

So, Aziraphale basically told Heaven that they all would know the truth, of course, that the threshold was the cash register but that they all wouldn't want the demons to find that out, right? That wouldn't be a very secure embassy. They need the demons to think that it's the same rules for everyone. Aziraphale's gotten them all to play along by making them go to the door and ask to be invited in, even though they could, technically, get in the front door and up to the cash register without an invitation. He's basically found a way to make them all ring the doorbell by exploiting their own prejudices against the demons.

This is shot now because, when Crowley and Aziraphale backed all the humans up into the living room, behind the cash wrap, Shax figured out that the door wasn't the threshold and tested her theory on poor Mr. Brown of Brown's World of Carpets, basically proving what we saw back in S1 when Gabriel and Sandalphon showed up.

They arrived when the shop was open and Aziraphale was busy inside with basically the only time in the series he has ever had customers lol and so there was no reason for Gabriel and Sandalphon to need to be invited in at the door because the shop was in normal business hours and it was Gabriel who was there. The rules of the other angels and demons wouldn't be seen as applying to him-- but they both did need an invitation to go any further than the cash wrap. Aziraphale brought them into his back office, which is a room he was willing to sacrifice to visiting angels as a way of seeming totally transparent and keeping them from wanting to search through the rest of the shop.

But, anyway, I think this is why the shop is built the way it is-- it's a house that is designed to pass as a bookshop so it can pass as an embassy-passing-as-a-bookshop, so that it can exist. Aziraphale has never really wanted to run a bookshop; he just wanted his books and a safer, home-like place he and Crowley could be together in. It's a bookshop just because Aziraphale has so many books and that made it the best cover for the fact that it's not really much of a shop at all-- just the front part of it is and Aziraphale has to fight to keep anyone from trying to buy any of the books that are in the other 95% of the shop, all of which are really his and/or Crowley's.

It's set up so that if the angels ever are just inside the front door before the cash wrap--or if they go only into the backroom where Aziraphale brings Gabriel and Sandalphon in S1-- that they're basically just seeing what looks like a bookshop. If they look up into the second-floor rotunda from near the door or most places on the ground floor, they just see a second floor of shelves of books that they can presume that Aziraphale is selling to the humans. It's not until we go up there with the characters in S2 that we see rooms exist up there... tucked out of sight from below. The further we press into the shop and the more we go around corners, the more we see that its design is intentionally attempting to hide what the real purpose of the bookshop is.

Aziraphale and Crowley cannot trust that there won't be some night when, idk, Sandalphon or Michael or somebody decides to just suddenly appear in the front part of the shop instead of knocking at the door. If they did, they wouldn't be able to physically go any further than the cash register counter-- but they could see into the shop from there. That seems factored into Aziraphale's design of the shop.

Aziraphale built it so that if he and Crowley were having dinner or wine at the table in the bar area like they were in 1941, Part 2 or if they were cuddled up on Crowley's couch, that they're around corners or otherwise obstructed from view enough that it gives them the opportunity to not get immediately caught should an angel blow past the established norms of entry and show up in the front part of the bookshop. The table in the home bar and Crowley's couch are both positioned so that a person cannot directly see them from the front door of the shop, which would buy them both time should someone show up in the shop. The place is built to make it so that no one can get past the cash register counter threshold and, even if they get past the door and into that space without Crowley or Aziraphale realizing it, they likely won't catch Crowley in the shop, no matter what time of day they show up.

So, the main floor bookshop space is visible to everyone but rooms that are more personal or that are hiding something from Heaven just by existing are buried a bit further into the shop or behind a door that has been right there the whole time but that the show is taking longer to open.

It wasn't until S2 that we saw into the private room in the back-- the closet, as the two of them were kind of trying to come out of it when it came to their relationship. It's also not until then that we get to go upstairs and, when we do, see that the spots that you cannot see directly from the door below have rooms. This is Aziraphale's private residence and even this? Is mostly set up to be able to deflect, should Heaven ever get up here. Have a real look at Gabriel's completely bizarre room here:

This is the unused bedroom of the bookshop, really-- not Aziraphale's actual one. It looks like a messy monk lives in here. One the size of a hobbit, apparently, because that bed could not get any smaller. This room exists basically in case Sandalphon ever shows up and demands a tour. Here's Aziraphale's room that he can claim he never really uses and just has for pretense or in case there's an emergency and someone needs to lie down. Nothing to see here, Stasi-a-Fond, just my tiny, dollhouse bed that I absolutely cannot fit in on my own, let alone with that six feet of legs demon! Jim's bedroom is as much of a closet as the back room downstairs is.

So, what lives down the little hallway on the ground floor, back out of sight? And, even better, what is the room at the top of the stairs to the left of Gabriel's bedroom? We were shown this door but it remained closed for all of S2. It is to S2 what the closed back room that we saw in S2 was to S1-- this door we saw a few times and then went into in the next bit of story.

Given its location in the shop-- conveniently at the top of the stairs and beside another bedroom-- it's likely that this is Aziraphale's bedroom. Unlike many, I think that Aziraphale does sleep. (I'm pretty sure Gabriel is wearing Aziraphale's pajamas in that "Jim's Mug" scene in S2.) Regardless of his sleep habits, though, he has other uses for a bedroom and I don't think it's collecting dust.

There are also some spaces in the vicinity of Jim's room that I think could be a bathroom, which Aziraphale could claim is necessary for customers, as you all have said above. Do his customers need the likely nice shower and that probable clawfoot tub? 😂 Not exactly, but Aziraphale likely would say fuck it and figure he'll come up with something if Heaven finds out. He can tell Michael he's baptizing people up there or something. I think that the lure of bath time with The Serpent is likely too strong to pass up.

We know there's a kitchen in there that Aziraphale was using for the literal portion of his baking in during Lockdown, which I think is probably what's located if you keep going past the private room and the home bar into that unseen space. See from where Aziraphale emerges in the bit below?

Nina, Maggie & Gabriel follow him into the room afterwards and they all seem to be coming from some place down the little corridor that leads further back into the shop. I'm pretty sure that's where the kitchen is. I think that's also the direction from which Aziraphale came when he brought Muriel tea in S2 as well. I'm sure it's very warm and cozy but I have a sneaking suspicion that it'd be a room we'd find surprising in its organization. It would be one of the rooms in the house that makes it pretty clear that Crowley spends a lot of time in the shop. I wouldn't be surprised if there are some-- gasp!-- plants in there-- potted culinary herbs, probably. He likes to cook for them sometimes.

I don't think it'd be super-necessary to show the kitchen but I actually think there's a chance we still might see it in The Finale largely because of the fact that I think we're going to flash back to the aftermath of Aziraphale blowing up his halo and briefly see some of what went down between then and the next morning-- namely, the convo with The Metatron that Aziraphale says the next morning took place, and the aftermath of that. If we go back to that night, we could see Aziraphale, Gabriel, Nina & Maggie talking in the kitchen. They also might cut that bit of it for the film but, either way, that's the area where it seems to me like the kitchen might be-- hidden pretty deep in the back of the shop, suggested to us but completely out of sight of Heaven.

If we consider that the bookshop is being rolled out to us slowly and in an intentionally incomplete way so far in support of a story that is doing the same... and if we then ask what big rooms remain that we haven't yet seen? There's really only the kitchen and Aziraphale's bedroom.

So, what haven't we seen in the bookshop yet ahead of The Finale?

The kitchen and Aziraphale's bedroom... food and sex. 😉 Not really terribly dissimilar things to these two...

It's been there all along but, as the story hits its end game, I think they'll likely reveal it a little more directly and, if they keep going with the way they've been using the bookshop to tell the story so far, they're going to use going into the previously unseen bedroom in the bookshop to do it. The one, new room we're getting for sure in The Finale is Aziraphale's bedroom-- likely circa 1941. It'll be clear that while it's the first time we're seeing it, it's a space with which Crowley is already plenty familiar.

Then, off to their South Downs Cottage where they can finally just have their own damn house without all of these shenanigans.

Speaking of the bookshop, theories on what could be upstairs?

ooooo the BIG QUESTION.

so we can see a bit of the second floor in all these pics:

basically all we know for sure is there are A LOT MORE BOOKS, both stacked around the railing and on the circle of shelves. neil has decided not to comment on what else might be there (YET 👀) but he’s confirmed that much.

apart from that, we can see from the outside that there are six windows on the second floor:

i’m going to assume they’re part of the shop because they’re Very On Fire when the rest of the shop is on fire. SO. taking all that into account, you end up with something like this:

where the thin grey circle is the railing and the brown one is the bookshelves (as you can see in the first pic, it doesn’t circle all the way around!)

the rest is a complete mystery. i mean i’m sure the actual set was empty because they didn’t need to fill it, but in theory there’s room for some interesting stuff! with the first floor for scale i can imagine a whole flat built around that circle of shelves — a bed aziraphale never sleeps in, comfy chairs, every other angel knick-knack he’s encountered in his life. in my personal headcanon it’s all books and hoarded items covered in dust, which he leaves for authenticity.

thank you for asking!! i’d love to hear other people’s thoughts if they want to share :)

[koolades-world]

this piece is based off this post, which you can find here. I had heard it as an audio at first actually and fell in love with it. it's kind of essential for this read. it's basically talking about how before their loved one guessed their favorite color was yellow, they didn't have one. after that, yellow was special! sooo cute and i though luci fit in perfectly as the speaker!!! if you were tuned yesterday for my solomon birthmarks fic, this is two out of my four ideas! i had one more in my drafts that i decided to throw in for fun

so so excited to write this. so fluffy!!!

the color of happiness

"Don't forget about your coffee, Mc." Lucifer nudged the cup towards you, acting as a gentle reminder of it's existance.

"Right, right. Just let me finish this thought." You were laser focused on the paper you were in the middle of planning. You were desperate to get all the thoughts out before you inevitable got distracted and forgot everything.

"I don't mean to dissuade you from your schoolwork, but it's getting cold." He chuckled at your half assed attempt to wave him off.

"You can just reheat it with magic." You stuck out your tongue ever so slightly as you scribbled.

"And what if I can't?" Lucifer was practically enchanted with your little mannerisms.

"You can and would. I know you. You'd find a way to make it happen for me." Despite how smug you sounded, he knew you were right. He'd jump through however many hoops as he had to for you.

There was no coming back from your words, so he went back to his own work. By the time he'd restarted, you'd stopped for a break, and were ready to bug him.

"On that note, I feel like I know so much about you, yet so little at the same time." You held the mug in one hand, the other underneath your chin as you gazed up at him.

"What prompted this?" Lucifer set down his pen despite just having gotten back to work. He'd felt like the two of you knew each other quite well. You'd been through thick and thin together, even defied death at each others side.

"Let's play twenty-one questions!" You ignored his question. Perhaps you just wanted an excuse to hear his voice.

"Alright. I can't say I've played before, but I know of it." He found himself smiling again, as he often did around you.

"It's easy! We just ask each other questions to get to know each other better."

"Which one of your brothers is your favorite?" You asked. He hadn't been expecting such a hard hitter of a question at first

"Must I answer?" He joked.

"Come on! Alright, then which do you hate the least?" You suppressed laughter.

"Do not shout this from the rooftops, but, Mammon." He already knew how'd you'd react, but he still found himself amused when you inevitably did.

"I knew it!" You celebrated, throwing your arms in the air. "Alright, your turn."

He absentmindedly messed with his gloves. "What is your favorite part of human world?" Lucifer had thought hard about that question. You seemed too enthusiastic about the entire thing, and he couldn't help but cave.

"That's an easy one! The sunrise. I would almost never wake up in time for it, but it's so beautiful." Your eyes sparkled. He made a mental note to plan a surprise trip to the human world for you. "I've actually been dying to know the answer to this next question for a while now."

"Oh? Ask away then." Lucifer was curious. There was a lot a human could want to ask the Lucifer Morningstar. You already knew his story, but there was a lot to be asked about what the Celestial Realm was like, or what having his power was like. But instead you asked him,

"What's your favorite color?"

The question hit him like a shot to the heart. He should've known you weren't interested in anything but him, for who he was. For once, he didn't know the answer a question as simple as that. He'd never really given it though. Maybe it was red? It was the color of his eyes, and the color of Diavolo. Maybe it was blue? That was the color of his sin. Maybe it was black? Everything he bought seemed to be in that color. Or, just maybe, it was that he didn't have one.

He floundered, his thoughts much more chaotic than what he let on. "Oh, wait! Let me guess!" He nodded, despite not knowing how he'd respond. You pursed your lips, deep in thought, when you burst out with what you thought was the answer.

"Yellow! It's yellow!" You placed a hand on his arm, eagerly awaiting his answer. You looked so full of joy, that somehow, made the answer seem correct to him.

"You're right." Lucifer nodded his head in confirmation.

"Knew it!" You threw your arms around him, pulling him into a side hug. After the inital shock, he hugged you back. "Yellow was already the best color, but now it's even better since it's your favorite too." The rest of your game, and break flew by.

But he couldn't stop thinking about what had happened. How could he had been so blind to a color he saw everyday? After that, the color held a special meaning to him. Not only was it the color of his favorite brother, and the color of your favorite thing about the human world, it was also the color of you to him.

Yellow was never the same after that.

The runny yellow yolk of the sunny side up eggs tasted that little bit better. He wasn't upset when he saw a yellow ball of yarn roll out from Satan's room. The yellow umbrella you carried around always caught his eyes, and so did yellow devildom equivalent of roses he passed every day on his way to RAD in a way they hadn't before. He promptly bought them and presented them to you when you arrived after him. The smile you gave him and the way you buried your face in the flowers meant the world to him.

Yellow suited you.

[forthegothicheroine]

I've made a post about great lesser-known noirs, but it occurs to me that some of you might not be familiar with the classics, and might want to know where to start. This is a ridiculously short list- I have a million more to talk about- but here are some of the big stars of the genre.

The Maltese Falcon: Sam Spade, a clever but callous private detective, gets wrapped up in intrigue relating to an artifact that is functionally cursed. If he's an unscrupulous character, just wait until you meet everyone else. The whole damn cast is electrifying, lending charm and cruelty in equal measure.

The Big Sleep: Philip Marlowe, a kinder and more poetic detective for Humphrey Bogart to play than Spade, is called upon to deal with a wealthy, dysfunctional family, and it keeps on getting weirder from there. Is the sharp-tongued Vivian Sternwood the femme fatale she seems, or is she just another person trying to find the right thing to do in desperate circumstances? And will she and Marlowe keep their hands off each other until the plot has had its last twist?

Double Indemnity: Rich housewife Phyllis Dietrichson and sleazy insurance agent Walter Neff are, by their own admission, rotten people. It's only natural that they should plot a murder together, and that they should turn on each other the very second things go wrong. Every single domestic murder movie since 1944 has ripped this off.

Kiss Me Deadly: This is nominally an adaptation of a Mike Hammer story. Screenwriter Bezzerides hated Mike Hammer. As depicted here, he is one of the worst people in the world. Depending on the cut of the film you see, he may inadvertently cause the nuclear apocalypse. (For once, the theatrical cut is darker.)

Sweet Smell of Success: Cruel, all-powerful columnist JJ Hunsecker wants his sister's boyfriend out of the way (for reasons that are, um, ambiguous.) To accomplish this, he enlists the biggest weasel in New York, Sidney Falco, and the two completely deserve each other as they spend the rest of the movie trading elaborate insults. Popular on tumblr for its dialogue and chemistry between the leads.

Sunset Boulevard: Broke screenwriter Joe Gillis thinks he can con a has-been into hiring him as a script doctor, and that's the last free decision he ever gets to make. From then on, his life is in the hands of Norma Desmond, silent film starlet turned crazed recluse, terrifying yet intensely pitiable. This is as much gothic horror as noir.

Ace in the Hole: The story of a man trapped in a cave is turning out to be a big hit in the newspaper, and if the publicity will make a reporter's career, then what's the harm in delaying rescue just for a little while? This is as vicious as noir gets, but damn it, you've just got to see what happens next. (Watch Jacob Geller's video Fear of the Depths after this.)

Sorry Wrong Number: Of all the films on this list, this is the one that really scared me. In the days of switchboards, a rich hypocondriac woman is connected to the wrong phone line and overhears a murder being planned. It doesn't take her long to figure out she's the intended victim, and each call she makes or recieves makes the situation darker. But how can she escape her fate if she can't- or won't leave her bed?

The Asphalt Jungle: The heist movie. Maybe the only heist movie ever made. Every line is quotable. Every member of the team is an unforgettable personality. When things go wrong, they go horribly wrong. One minute you're laughing, and the next minute you think you'll never laugh again.

Gun Crazy: Laurie and Bart, two practiced sharpshooters, are perhaps the most perfect match in all of noir- and that's a bad thing. When one half of the duo gets a criminal idea in their head, the other can't say no. When the opportunity to ditch her man like a sap comes up, the femme fatale throws it away to be doomed at his side. He fell in love with her when she first aimed a gun at him. Quentin Tarantino kissed star Peggy Cummins's feet at a showing of the film, and I hope she kicked him in the head.

Laura: Everyone was in love with Laura Hunt, and somebody killed her- or did they? Did they get the right person? Is the cop on the case in love with a dead woman? Was her columnist mentor just her gay best friend, or was there something darker beneath that facade? And what would Laura think of all this? A big inspiration on Twin Peaks.

In a Lonely Place: Bogart isn't at all heroic here, as a screenwriter with a drinking habit and a violent temper. He's obviously a bad idea to date, but just how bad an idea? He's not the type of guy who'd kill a woman, is he? Bogart and Gloria Holden give perhaps their best performances here, and they'll wound your soul.

Touch of Evil: A Mexican cop (played, unfortunately, by Charlton Heston) finds out a nasty secret about the big hero cop Hank Quinlan: he's framed the culprit in most of his cases. Not because he's crooked, but because his intuition tells him they're guilty. Director Orson Welles as Quinlan is frightening, grotesque, and a little bit tragic in what some consider the last classic noir.

The Killers: The first twenty minutes or so are an adaptation of a Hemingway story, where out of town hitmen gun down a man so depressed he won't even bother to run from them. The rest of the film is an investigation into how he got that way. It had something to do with a radiant gangster's girl, and something to do with a few botched crimes. Sometimes a man can die before the bullets even touch him.

The Third Man: Everybody is lying about the whereabouts of an American expatriate named Harry when his friend comes looking. Did they do something to him? Or, more frightening still, is he the one who's been doing things to other people? Orson Welles is a more charming monster than he was in Touch of Evil; the light and shadows on his face cast him as a vampire, while his fingers sticking up through the sewer grate look like something terrifying emerging from the earth.

[the-artist-grimm]

Im sorry if you already answered something similar but does the twins ever reunite with Forneus in your au? If so how does it exactly work out, does Narinder, Anthea, and Forneus share custody?

Crimson Angel AU - The Situation between Forneus and the Twins

(Anon, @gerroacarnival  and @xquaserh Putting all these asks in 1 cause oh boy this is a COMPLICATED question to answer oof. I wanna preface this that while I love Forneus just going by the characters personalities/themes of this AU the reunion is not as fairy-tale happy as it is in game)

Anyway-the boys do reunite with her technically, but not in the way Forneus dreamt. Reunions are good in theory, the long lost children reunite with their ‘real’ family, hug their mother, go ‘home’ with her, start life anew, but life isn’t so simple, now is it? It’s never that easy, not when one side clings to the memory of three day old infants and a reunion she'd dreamt of for so long it just became her expectation, and the other side has no memory and complex feelings on the whole matter with this slight feeling that perhaps while their mother loves the idea of them, she doesn't actually love them.

It's messy, complicated, and no matter what, will NEVER be the reunion Forneus wanted. The second they left her embrace, she lost the chance to be the mother she'd wanted to be for them, yet never realize till too late what else died with them.

(Putting this under the cut cause it's longgggg. The Twins and Forneus's story has so little in-game text that it's become this favorite thing of mine to interpret/expand)

The Two Parents

Forneus did and didn’t have a choice to give the boys up. When Shamura appeared, the newborn, extremely premature kits were already doomed to die, so the choice to either let them pass naturally or to allow War to take them as gifts with a potential of reunion was an either damned if she did or damned if she didn’t, situation. And in her grief and desperation, she chose the option that gave the potential for hope. She gave the twins to Shamura, accepted the golden skull, and waited. Waited for her babies to come home, waited as a mother who never really ever had a chance to be a mother-one who works off feelings but no experience. 

Meanwhile when it came to Aym and Baal, Narinder never told them who their parent(s) were. How could he, when he himself had no certainty as to who they were? Though his 7th Vessel, Forneus, had left service specifically because of pregnancy, he had no means of tracking how much time had passed since when they first arrived (it could've been a century since for all he knew), nor any means to confirm without doubt that the black, newborn kittens were hers even once his next vessel gave him the date-he couldn't ask them to investigate something so personal and unrelated to their cause.

Their box held only their bodies, a spider-silk cloth which was their burial shroud, and a note penned in Shamura’s hand. ‘A Gift’ that’s all the note said. No names, no clues, no nothing. While Narinder had suspicions, he could not in good conscious tell the boys of a potential mother out of risk of being wrong-of getting their hopes up for a heroic parent only to be proved that it wasn’t her, or worse, told heroic tales just to learn they were abandoned all along. Vessel 7 was heroic yes, had a sense of justice yes, but during her service her luck had made her grow arrogant, had transformed flirting into a game of hearts and people into a way to get the upper hand-for all he knew, if they were hers, they could've all along been her means of trying to easily get out of vesselship. He just didn't know.

And thus Narinder raised them from there. He tried to use the title of ‘Master’ as a barrier in hopes that, if they did have a family awaiting them, he wouldn't take their place, (it was also out of guilt for being the reason they were trapped) but he also couldn't bring himself to fully shut them out either. The moment their dead bodies healed in the gate and they started to mewl for attention his unbeating heart bled for them, and he just couldn't deny them love because he knew how much it hurt to be without.

The Twins

As centuries passed Aym and Baal were content with Narinder as their 'Master'. He who told them stories of his time above, who taught them how to fight, who fashioned them clothes from whatever scraps of cloth he would get vessels to send-he was all they had and knew. When they felt the time to sleep it was in his paws they curled up, when they got hurt training or got bored it was from he they received comfort and attention. It was his magic which allowed them to age against the Gateway's stasis, it was he who saw their eyes open, watched as they learned to speak and walk.

But that’s not to say neither did think of whoever was left behind from time to time. Baal tried to keep hope that he and his brother were taken-stolen by the Bishops, with whatever parents they’d had having desperately tried to keep War away. Aym, meanwhile, only felt anger, bitterness and resentment, for who lets two three day old kits be taken and sacrificed? Narinder himself simply tried to keep neutral on the subject, not wanting to feed into either side in hopes that'd avoid a heartbreak or the smooth transition to their 'real' kin.

The Lamb

When the Lamb appears and starts to befriend them, it's then the boys suddenly find themselves feeling the same sense of security and comfort Narinder gives them towards Anthea. As the lamb brings them toys and books catered to their interests, teaches them to read, uses the crown to show them the world above and encourage their boundless curiosities. As nights suddenly see the lamb visit in their nightgown book and quilt in hand, letting the twins snuggle into their sides as the three are cradled against Narinder's chest while reading a book, and the boys fall asleep to a heartbeat for the first time. Narinder had always been stability and security, Anthea became tenderness and warmth.

Anthea teaches them what a 'Father' is as well, and the boys realize that's what their master actually is-he's their dad and tentatively start testing calling him as such, and while it's not until just before Silk Cradle they realize it (yet don't call them Baba yet) Anthea's long on their way to feeling like a parent too.

Which then begs the question…what of the parent(s) left behind?

First Contact

Baal still wants to meet them, he's always been curious and just wants to know who they are, while Aym is still angry and wants nothing to do with them. They got a parent in their master, and Anthea's their friend and practically a parent too, so why bother with the ones who abandoned them? Narinder overhears the boys debate over it more and more, and as Anchordeep’s door opens, Narinder hesitantly asks the Lamb for a favor.

He’d heard rumors of a shopkeep she-cat who wore a golden skull, and Anthea had been the first to confirm that cat's name was Forneus. He’d never asked a vessel to do such a thing before, mainly out of not feeling close enough to ever ask such a personal, unrelated to the Bishops, task, but he wants to give the boys closure, and Anthea would happily do anything to help the kits. And thus they're sent out, and in a bit of a side quest work their way to getting Forneus to sit down and just...talk.

She explains her side of what happened, how the boys were born too soon, how she had really no choice, breaks down, and as the cats had been listening in and Aym who's now uncertain feels bad, and he requests Narinder for permission to speak.

“Save your tears for when we meet” is what he says, and that’s all that’s said through the crown.

For Aym it’s an olive branch-he’s sorta gotten an answer as to why he and his brother were sacrificed, though he's not entirely sure how to feel since well...she still gave them up, but she looks sorry so... Baal's eager and happy to hear that they were cared about but is a little disappointed at realizing that she didn't really hesitate despite the situation, but regardless, both are willing to give her a chance. They want to get to know her, and then they'll decide how they feel after that.

They, do not, see her as a proper 'Mother'. Just someone who shares their blood who they want to meet. To then Narinder's still Dad-he's still the one who makes them feel secure.

Meanwhile for Forneus it’s proof that she’ll get what was promised. Her boys are not only alive, but they’re children-they’re still children, so she'll now get what she wanted and more. They'll reunite and she'll then take her children home to travel by her side-she’ll get to raise her dear little babies just as she’d planned, and while it took so long it's going to be perfect.

She's dreamt of the boys seeing and running into her oncoming embrace crying. That they'll love her instantly and had already because she's their mother so of course that's how they'll feel. How could they not? Children ALWAYS love their parents.

The Lamb promises to help her meet them once they’re free, and every visit after, Forneus tries to get the boys to talk again-offers gifts for the lamb to bring to the Gateway, rambles on about all the things they'll do together while the Lamb browses her shop. And...well they're things, at least. Most of the toys she offers are either baby toys or things that just don't interest the boys, and some of her plans are...plans. They're elaborate-taking them to X mountain, to X landmark, traveling here and there and everywhere. Big and grand and...and never mentioning their Dad or Anthea being there.

Baal thinks it's sweet how excited she is while Aym is getting more and more unsure-but even Baal eventually admits that she's a little...loud. Forneus is loud-she's energetic and eager and while he and Aym can be too, seeing it from a stranger about them is...weird. She keeps calling herself their Mama , and calling them Zamir and Delshad despite being told otherwise because apparently those were their names (a fact not even Shamura had been given. Narinder had to name the boys himself). She keeps talking about those three days they were with her, and it kinda feels like she loves the babies she gave up and not them.

Anthea tries to tell her about them, but she usually doesn't realzie since she's busy talking to her babies and not them, it's as if the lamb isn't even there. The boys can't even try to think of trying to talk-she never leaves an opening for them to try. Eventually the boys ask Narinder to mute the crown during the Lamb's shop visits the more uncomfortable it gets.

It's like going to a family reunion and being brought to your great Aunt who last saw you as an infant at your christening. She insists on kissing your face and hugging you tight and going oh how big you've grown sweetiepie and this and that and...and you put up with it because she's family but...well she's a stranger despite the shared blood. She doesn't actually know the you of now-and you don't know her.

Reunion

When the final Bishop falls is when Forneus suddenly finds herself left in the dark. For 6 months she sees hide nor hair of the Lamb, and gradually gets worried because where are her sons? The Bishops are dead, why hasn't she been given back her babies?

(The Lamb had been avoiding her cart during crusades out of both grief and guilt-Aym's dying word of calling them 'Baba'...it broke something in them, made them realize just how much the boys had meant. They had a shattered heart and endless guilt, and having to face Forneus and explain she'd never meet her sons? It'd been too much as a grieving parent themself)

The twins were revived after 4 months but Anthea only finally approached Forneus after 6, and she was too relived to finally hear she could meet them to bother asking what'd happened. Anthea invited her to come to the cult that weekend, and Forneus happily accepted, not even noticing the tiredness in the Lamb's eyes nor the uncertainty in their tone. Even on the day she arrived at the cult, she didn't mind the lamb, not even as Anthea gave her a final warning.  

"There was trouble setting them free…they’re wary, skittish, they’ve been through a lot... I know you’re excited but please be gentle when you speak to them, be calm and keep your distance please they’re so easy to startle."  

Meanwhile the boys waited at the temple with Narinder, who, for the hundredth time, asked if they were certain they were ready for this. Though it'd been 2 months, the toll of dying so traumatically via turning to ash, of being trapped in the gateway, the trauma of resurrection, the fear of being alone without their parents because that's what he and Anthea were to them, Narinder had wanted them to wait as did Anthea. The boys could hardly sleep without at least one of them there with them in bed, were just starting to be ok interacting with other people, could only handle the touch of a select few and even then sometimes would just break down into panic attacks out of seemingly nowhere. They weren't ok, but the boys had insisted. This woman who claimed to love them had been kept in the dark for so long, they felt bad and wanted to try.

They felt guilty for not being ok. Even as Narinder and Anthea repeatedly and gently reminded them that it was alright-that their feelings were valid, that they could take all the time they needed and they'd be right there to support them, the boys had insisted and they just couldn't deny them their choice.

But once Forneus arrived no one got the chance to even properly introduce the boys to her-she just saw them, ran towards them for the reunion she dreamt up, swept them into her arms, and next thing she knew she had two yowling, struggling kits trying to break from her hold. In her excitement and in not listening to Anthea's warnings she'd done the worst thing anyone could've done-she was louder, bigger, stronger, scarier than them, and as the kids managed to shock her into dropping them suddenly Baal was hyperventilating, and Aym was working himself into a panic attack. And Narinder and Anthea, having two months practice in calming them like this, and having long been the twin's safe people, immediately fell into place. Narinder got Baal, Anthea got Aym, and Forneus could only watch.

Could only watch as Baal started gasping for Dad as Narinder tried to get him to breathe, as Aym started sobbing for Baba and practically tried to bury himself in their embrace, as her babies looked at her in fear and clung to someone else.

And then all she can feel is anger. She'd waited 300 years-those boys were hers. Why are they clinging to someone else?

From there it just becomes a mess, she gets into a very loud, very heated argument with Narinder especially for 'stealing' her sons which just scares the boys more, and in a very poor move tries to just grab one of them which prompts Anthea to use a show of godly power and threaten her to get out of the Cult which she does since a crowd has also formed (the Cult was ALL aware of the twin's poor mental state, and they'd all grown very protective of the community's first children despite having to keep their distance because by gods those kids deserved more than what fate had given them).

Forneus leaves angry, and Narinder and Anthea now got two kits who had been tentatively healing temporarily back at square one, and who are now gonna start having nightmares of a stranger taking them away on top of preexisting ones.

I wanna note that Forneus isn't a bad person. She isn't, but she's also not used to things not going her way. As a vessel she was 'Lady Luck', she who rarely died, who always had the upper hand, who would pop curse shots at the Goddess of Famine for fun and be the heartbreaker of her own cult able to flirt and tease and talk her way to whatever she wished. She's kind and cheerful and charismatic sure and she genuinely does want to help people and do the right thing, but there's still this...ignorance, arrogance-that she doesn't even realize is there.

Like how above in Starfall Part 1 she VERY casually mentions how she 'knows what it's like missing her own twins' and 'how 'hard' it must be for Anthea to have nothing of their family to remember them by', but the thing is...she doesn't know. She's so hooked on this idea that she WILL get her boys back that she completely has just ignored the grief that comes with loss entirely this whole time. The way she misses her sons is NOTHING like how Anthea misses their brothers-she misses them like a relative you haven't seen in awhile but will see soon. Anthea misses their brothers because they're DEAD and they know that they will NEVER see the two again, especially now. Like Forneus has not considered how she's lost a LOT of moments with her children. They're still kids yeah but they're not returning to her as blank slates-though physically and mentally 11 they've been with Narinder for over 300 years, that's a lot of time to be without her. She loves them, but kinda more-so the sons she thought she'd get back.

Thus when you've been envisioning this 'perfect' reunion the entire time only for it to not go your way...it's a hard pill to swallow. She gets disappointed/angry understandably-anyone would, but instead of stepping back and realizing she can't fault the boy's feelings she takes it out of the ones who 'took' her place instead, which then turns her into this loud scary bad-guy to the boys.

And Aym and Baal aren't to blame in this situation, like they're kids, and like with my 'great aunt who last saw you as a baby' analogy, it's not their fault they don't immediately love her. She's a stranger-one whom, the more she tried to force interactions via the crown during their imprisonment, seemed to have little interest in them personally and more in whatever children she assumed she'd be getting back. And after that disaster of a first meeting? They don't want anything to do with her she scared them that much.

As for Narinder and Anthea they both feel awful because they understand why Forneus is angry, she only gave them up because she was promised a chance for reunion (though she ignored the CHANCE part of that), but in the same breath Aym and Baal are their sons and they'll take their side first over anyone else's. And the thing is there's nothing that could've been done on their part to prevent this really either.

Anthea telling Forneus the twins had died? Anger, grief, then upon their revival a fierce insistence for the boys to NEVER go near the Lamb or Narinder again, which the twins would've been just as terrified and against.

Narinder not showing care to the kits for those 300 years? They would've gotten attached to him anyway since he was literally all they had, though they might've turned out worse emotionally because of neglect

Telling the boys to wait longer to meet Forneus? She likely would've just shown up on her own within another month anyway since by that point Anthea had just freed Heket from Purgatory and word was starting to get around about the new God of Death so this would've happened but worse.

The only way Forneus could've had the reunion she'd wanted would have been if Narinder never forced the twins to start aging against the stasis. But then there would be two 300+ year old infants, which is a whole other can of worms.

Notes/Explaination

Again I love Forneus in-game she's so adorable and my one of my favorite NPCs to visit, but I also like making imperfect characters, especially parents and their relationships with their children. And while I love the idea of her being this wonderful, sweet, amazing mother, I also like the idea of her being really flawed about it to.

Crimson Angel is about learning to communicate with your loved ones, and in this case, it needs to be her looking at things from the twins view and realizing that if they don't want her in their lives, she has to accept that. She needs to realize that she's not entitled to their love just because she gave birth to them. She also has to let go of the sons she gave up that day-those three day old infants who were perfect little blank slates, and get to know the boys they became without her. She has to realize someone else took her place in their hearts, and realize that if she wants to join them, she HAS to let the boys come to her, and that she has to work on THEIR terms.

She cannot try and force a love if she wants a chance for it at all, and must swallow her pride and listen to others who know the boys better-Anthea and Narinder, alongside the boys themselves.

She'll get a relationship with the boys eventually, but it's not going to be the one she hoped for. She's gotta work on herself first and realize her flaws, maybe get some practice with handling children via unintentionally adopting a certain fan-favorite grave spider kid after finding him all alone, and just...wait. Narinder and Anthea are the twin's primary parents, and while Forneus does eventually get to a place where they're comfortable with her, it's never going to be on the same level, and they all just gotta contend with that.

Boarders are by @/lambouillet

[steviewashere]

CW: Infertility (Coming from my own experience just...with a uterus.)

Thinking right now about Steve who wants his own family really bad, but finds out he's 100% infertile.

He only finds out after a failed marriage. His first marriage. Has a beautiful, wonderful, just absolutely incredible wife who accepts everything about his past—stuff he won't talk about and otherwise. Yet, the one thing they knew for certain was a definite in their relationship was children. However, for some reason (that I don't have), his wife rejects the idea of adopting children. So they try. They try and try and try.

Eventually, they get their eggs and sperm analyzed. Her eggs are healthy, her uterus is fine, no complications associated with her ovaries.

Steve, in his next visit, finds out he's infertile. It's not genetically caused. His parents were very fertile, just decided to have only one child. And—maybe due to some Upside Down bullshit; bat bites being untreated, injuries being too traumatic—his sperm production and his sperm vitality are completely destroyed.

He's devastated, of course he is. Brings it up to his wife. They agree to go their separate ways because this was something they both wanted, but now can't have.

And then he just floats about for a while. Quiet and disheartened.

He goes back to Hawkins and bumps into Eddie. Now, I'm thinking, personally, that this isn't some romance story. They're strictly platonic in this scenario (for now).

They get to talking and somewhere in the conversation, Steve's infertility comes up. Eddie tries to gently explain to him that there's other options to have children. "Foster care," he says, "it's where I was for a while. You can adopt from an orphanage, from a hospital. There's always the option for surrogacy, y'know. A lot of different"—

"Eds," Steve interrupts, "I appreciate this, but I...I don't want to talk about it anymore. It hurts too much to think about."

"Sorry," Eddie apologizes.

Steve just shakes his head, resigned. "It's not your fault," he murmurs, "guess I'm just upset that my body doesn't work the way it's supposed to."

"Not everybody's works the way it's supposed to, Steve."

"Yeah," he whispers, "but I was sorta hoping my own would."

There's a lull in the conversation. A long while of just silence and a cigarette being passed and the gentle rustle of trees around them. Outside, in the Forest Hills trailer park, staring down a set of rusted swings.

"How do you think I should handle this, Eddie?"

"Hm?"

"This...this body issue. What am I supposed to do about it? I'm, like...like grieving over nothing."

"You grieve, Steve," Eddie answer simply, "you get angry and you cry. That's all you can really do."

"I don't want to be angry, though. I want...I want to be happy. I want my dream to come true! I want"—he sighs and swallows and looks on ahead of him. To a place he once visited constantly when he still lived full-time in Hawkins, not just passing through. Out on a town that he once called home, a place where he couldn't be the person he wanted to be. Couldn't get what he needed.—"I want to love my kid in a way I never got."

And Eddie looks to him. To his profile. Shuffles closer, cigarette out on the porch. Arm wrapping over Steve's shoulders, tugging him in. "I know," Eddie whispers, "I'm sorry, Steve. I'm really, really sorry."

"It's not your fault, Eds."

"It's not yours either."

He keeps staring out. To a place that was hopeful. Where his dreams bared new. When things seemed reasonable and he could face everything head-on and knew exactly what he wanted for himself. A future of laughter and soft lullabies and hugs warm enough to soothe the world.

There'll be other chances. But not now. Not when he's like this.

"I know," he merely mutters, "I know."

[citrusandrottefruit]

Modern!Steddie (This is based on something I read a while back on Tumblr about Eddie becoming famous, Steve getting doxxed, and years later singing Hozier's Francesca to Eddie. I'll look for the fic, and if I find it, I'll put the link here.) EDIT: This is the fic here, guys. I recommend reading it. (https://archiveofourown.org/works/48091627/chapters/121266283)

Steve has always been one of the popular kids, but not the kind of childish villains you see in movies. No, he was popular because he was handsome, had rich parents, was charismatic, and was good at sports. He didn't bully other kids, but he wasn't interested in them either.

He never felt the need to seek out new connections at school, because he'd had Tommy and Carol for years, and anyone new who wanted to talk to him would come to him. He didn't have to work hard to make new friends.

His time was spent on sports and the friends he already had. The occasional girlfriend, too, because he'd always been a romantic at heart and a lonely kid. Being best friends with a couple would also make him feel like a third wheel a lot, so having a girlfriend and double dates seemed cool.

Then he got into a fight with Tommy and Carol after that graffiti episode in the movies and they drifted apart. Tommy wasn't mean about it, but he was resentful and hostile, because they were best friends and it always sucks to lose a friend to a boyfriend/girlfriend who you think cheated on them.

After a year, when he and Nancy broke up, he, Tommy and Carol didn't get back together, but they weren't hostile, you could tell they felt bad for him. Steve wanted to be friends with them again, he just didn't feel right crawling back with his tail between his legs and he also felt guilty that they never reconnected before. He didn't want it to seem like he only got back together because he was single.

He's still popular, but now his best friends aren't around anymore and he got cheated on by his girlfriend, but he feels like he deserved it (let's just say the story they made up about Barbara dying was real and the trauma grew into a monster and consumed their entire relationship). So he feels alone.

He has the kids. But Dustin thinks he's awesome and he doesn't want to be anything less, Lucas also sees him as a hero, willing to take a beating for him, Max looks up to him as a big brother. Will is Jonathan's brother and has traumas, so Steve would never dump his problems on the kid. Mike is Nancy's brother.

All of his real friends are kids.

So, Eddie. Steve isn't lonely around school, he still interacts with other students, he's friendly with the popular crowd, a lot of people like him. He just has these moments where he seems sad and then suddenly he seems super chill again.

Anyone who looks closely can tell he's got a problem and pretends not to, but it's not obvious. Eddie doesn't think much of it at first. He actually finds it amusing, because he has a lot of shallow and superficial ideas about popular kids who conform to the norm and who are well-off.

Eddie comes over when he sees Steve reading a DnD rulebook. He mocks it a bit, but explains a few things and Steve, who has always been a social butterfly and never cared much about sitting at the same table as some group in the cafeteria, sits down with Hellfire.

Not with the intention of being their friend, just because he wanted to ask them questions, take notes and move on with his life. A brief connection, a friendly interaction. No different from his relationship with most people who are part of his social circle.

But Eddie keeps pulling him closer, invites him to join the Hellfire Club. Steve declines, because he likes the stories and wanted to learn about DnD because of the kids, but he feels insecure about being a player, about roleplaying, he's afraid of making the wrong decisions and ruining something that seems to be so important to their friends (both the kids and Eddie).

Eventually, they fall in love.

Steve graduates without much distinction and Eddie barely makes it, but they are free from high school. While Eddie continues to play concerts at the Hideout with the CC boys, Steve works at Scoops Ahoy and makes friends with Robin.

So, when Eddie decides to leave, Steve asks them to wait a little, to save up more money, to get better organized. If they stayed for a whole year, Robin could even leave with them. When Eddie doesn't agree, he says they can continue their relationship long-distance. After all, it's 2010 and there's technology for that.

Eddie leaves anyway, believing that Steve will regret it and look for him, understand that leaving is the right choice and blah blah blah. Steve can't leave yet, because if he moves out, if he doesn't follow the path his parents have laid out, he'll give up any illusion of family he might have had. His car is in his father's name, he doesn't have much savings, he's still not open about being bisexual and he's terrified of leaving his entire life behind. It's hard in Hawkins, but facing the whole world, the uncertainty, not having a home to go back to… It scares him. Eddie doesn't understand, because if nothing else worked out for him, he could go back to Wayne and be welcomed with open arms.

One of Eddie's first hit songs is about a preppy, popular, charismatic kid who's the captain of the swim team and lives in Loch Nora who starts dating him in his senior year and gets stuck in a shitty job at the mall. It's easy to figure out who Steve is. People at school find out quickly.

I like to think Carol is the one who alerts him, goes to his job to tell him the rumors. Tommy goes with her. Although Carol is kinder and more open and Tommy keeps his distance, as if he might be infected, he also tells Steve to be careful, for old times' sake.

Either way, he becomes a target. The students tell their parents that they believe the hit song is about Steve. This story even gets around the church that his parents donate to and "attend" when they're around. His parents' friends find out. His business partners find out. His parents, too.

His parents suddenly move back home. It was a huge fight, with his mother accusing him of being possessed, suggesting a treatment to "cure" him. Mr. Harrington said it was due to a lack of beatings. Either way, it ended with him bleeding alone in the street.

A few days later, he and Robin managed to return to "steal" some of his belongings back, including documents. Other than that, he lost everything.

Mr. Wheeler didn't even want him to get close to Mike anymore.

For a while, he spends his days between the Hendersons' couch and Robin's bedroom floor, feeling like shit and listening to the music Eddie wrote over and over again.

After that, he sells his cell phone, his laptop, whatever he managed to keep. Robin also sells some of her things and the kids help with this small fundraising, selling cakes and sweets. Even Tommy and Carol seek them out, providing almost 50% of the money. That way, Steve is able to leave with a few months' rent saved.

Wayne also helped, because he knew that Eddie's music was responsible for this. Steve told him never to talk about everything that happened with Eddie, so Wayne kept it a secret.

I think Tommy, Carol and Steve could get back to being friends. Not the same as before, but they have lunch together every few months and they were the ones who helped Steve get a job in a new city.

A few months later, Corroded Coffin is well established, about to release its first album. Robin goes to college and Steve and she move in together.

That's when other people start to find out who Steve is too. It starts with a post on Reddit, people speculating about him, which is the central theme of several songs, although none are as explicit about his identity as the first. His parents receive some hate mail, they make a point of sending it to the Buckleys and Steve finds out. What hurts the most is knowing that his parents never gave him any of his belongings, but they found a way to let him know that people he didn't even know hated him.

He gets some hate messages too, because, although he deleted his old accounts, the new ones are easy to find through the profiles of people who knew him before all this. So, they're probably students from school, people know what Robin's social networks are, finding him.

There isn't much hate coming his way because he's careful to keep to the shadows, and thankfully the speculation about Steve Harrington being responsible for breaking Eddie Munson's heart doesn't go that far, after all, there's nothing to keep fueling those theories.

One of the things that connected Eddie to Steve was music. I like to think of Steve as a musician, like Joe Keery is. If Eddie can pour out his anger through music, he can also pour his heart into it. He writes Unknown/Nth and posts it to an anonymous YouTube account. He sings with an acoustic guitar, without showing his face.

For a while, this feels like closure.

Steve still gets hate mail sometimes, even though he deletes the old accounts and creates new ones. Everyone in Hawkins seems to know about him and Eddie. The kids, who hated Eddie for a while, have reluctantly started to admire him again. Steve reassured them about this, but they all remained bitter about everything that happened.

Steve, for his part, has vacillated between hating Eddie and hating himself. Most of the time, he still feels like he maybe loves Eddie a little bit, as if he’s stuck on that last day they saw each other. Sometimes he blames himself for making the wrong decision. Other times he thinks that if he hadn't stayed in Hawkins, Eddie might never have made it big.

His feelings for Eddie are complicated.

So, about 5 years after the breakup, there's a documentary about the beginning of Corroded Coffin. Something not produced by them. Maybe by a fan? Who goes to Hawkins, talks to people, tells them about Steve, exposes Steve and it goes viral on social media.

His life goes to shit very quickly. Eddie doesn't even notice at first, because CC is on a world tour and they never have free time. Meanwhile, Steve becomes well-known on social media and gets some hate mail.

Things change a bit when someone, seeing old photos of Steve, posts on Reddit that they have a crazy theory: there's a song they've been listening to for years, that's a lost gem in the depths of YouTube and they swear that's Steve Harrington, because the moles match and you can see a Hawkins High jacket in the background. It's a pretty crazy theory, so it doesn't get much attention, but the song gains momentum.

Eddie finds out because, once he learned everything that happened, he started researching everything about Steve, trying to measure how much he ruined his life.

Assuming people find out that the song is really about Eddie, I think he could become the target of hate, almost as much as Steve did, because Unknown/Nth is a powerful song.

That's what I've thought, for now. They get back together in the end because Eddie's actions had terrible consequences, but he never meant to hurt Steve like that and the biggest culprits for everything that happened are his parents. The hate from the fans wasn't that intense until the documentary, so it was hard to notice.

Anyway, they have a long way to go. A talk to clear up their last fight, a lengthy apology from Eddie, reconnecting with the kids, getting back to being friends.

It would be terribly sad and difficult. It definitely wouldn't be a fairy tale, but they could learn to trust each other. Eddie could earn Steve's trust, affection, and friendship, and one day they could be a couple again.